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"Thou hast seen my daughter thou hast news of her?" "Ay, yestere'en, at the Ave Maria, I spoke with her, in Santa Maria dell' Orto, coming upon her kneeling before the great picture of Jacopo Robusti she, saint enough already to wear a gloria and looking as if the heart of her were worn away from grief! She hath need of thee daily, for her love for thee is great, and death not far."

He was born in Venice, in 1512, and early fore-shadowed his future career by drawing all kinds of objects on the walls of his father's dye-house, an exercise which did not offend or dismay the elder Robusti, but, on the contrary, induced him to put the boy into the school of Titian, where Tintoretto only remained a short time.

Of the four artist-figures who in the tradition of Tintoret's picture support this "Golden Calf" of Venice, Tintoret himself is the one specially Venetian. Giorgione was of Castel Franco; Titian came from the mountains of Cadore; Paolo from Verona. But Jacopo Robusti, the "little dyer," the Tintoretto, was born, lived, and died in Venice.

Tintoretto is only Tintoretto or Tintoret because his father was a dyer, and 'Il Tintoretto' is in Italian, 'the little dyer. Tintoretto's real name was one more in keeping with his pretensions, Jacopo Robusti.

The portrait of Marietta Robusti proves her to have been justly celebrated for her beauty. Her face is sweet and gentle in expression. She was sprightly in manner and full of enthusiasm for anything that interested and attracted her; she had a good talent for music and a charming voice in singing.

Round these great men are grouped a host of secondary but distinguished painters Palma with his golden-haired large-bosomed sirens; idyllic Bonifazio; dramatic Pordenone, whose frescoes are all motion and excitement; Paris Bordone, who mingled on his canvas cream and mulberry juice and sunbeams; the Robusti, the Caliari, the Bassani, and others whom it would be tedious to mention.

It was just when the glory of Venice was at its highest that Art too reached its height, and Giorgione and Titian began to paint the walls of her palaces and the altarpieces of her churches. In the very centre of the city where the poorer Venetians had their houses, there lived about this time a man called Battista Robusti who was a dyer, or 'tintore, as he is called in Italy.

He was born in 1518, in the ninth year of our Henry VIII's reign, the son of a dyer, or tintore, named Battista Robusti, and since the young Jacopo Robusti helped his father in his trade he was called the little dyer, or il tintoretto.

In the centre of the church, the sacristan scraped the carpenter's rubbish away from a flat tablet in the floor, and said that it was Tintoretto's tomb. It is a sad thing to doubt even a sacristan, but I pointed out that the tomb bore any name in the world rather than Robusti.

She was celebrated for her beauty, had fine musical talents, and was sprightly and enthusiastic; her father was so fond of having her with him that he sometimes allowed her to dress as a boy, and go with him to study where young girls were not admitted. When but thirty years old Marietta Robusti died; she was buried in the Church of Santa Maria dell Orto, where are several works by her father.