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It seems that it had passed into the possession of the Rinuccini family as part of the dowry of one of the Medici, and on the marriage of one of the ladies of the Rinuccini with a Marchese Corsi again formed part of the bride's portion. Soon after its discovery and restoration the Marchese Corsi died, and his brother Cardinal Corsi inherited the property.
This carried the audience into both supernal and infernal regions and its music, somber and imposing, called for an orchestra of viols, lutes, lyres of all forms, double harps, trombones and organ. The fifth intermezzo must have rivaled the glories of the ancient sacred plays in the public squares. Rinuccini arranged it from the story of Arion.
Lord Digby appeared at Dublin as a special agent from the King, to declare his consent to Glamorgan's original terms; but Ormond still insisted that he had no authority to go beyond the Thirty Articles. Charles himself wrote privately to Rinuccini, promising to confirm everything which Glamorgan had proposed, as soon as he should come into "the Nuncio's hands."
Though it is difficult to entertain anything but the greatest contempt for the Ormond faction on the Supreme Council, and though Rinuccini was an honest man who did his best to carry out his instructions, still he did not understand perfectly the situation.
The contesting singers were accompanied by lutes and viols, while their judges had the support of harps, lyres, viols and other instruments of the same family. Bardi himself devised the third intermezzo, Rinuccini wrote the verse and Bardi and Marenzio the music. It had some of the essential features of both ballet and opera and represented the victory of Apollo over the python.
And then, not withstanding the dissuasions of Rinuccini to the contrary, it was to be kept secret from the world, though some of its obligations were expected to be at once fulfilled, on their side, by the Catholics.
The second intermezzo dealt with a contest in song between the daughters of Pierus and the muses. The judges were hamadryads and the defeated mortals were punished for their presumption. The text was by Rinuccini and the music by Luca Marenzio, the famous madrigalist.
Bandello, in the same century, was a novelist from whom Shakespeare and other English dramatists have borrowed much material. One thing which is peculiar to Italy, and which has found its way into nearly the whole civilized world, is Italian Opera or melodrama. It was an outcome of the Pastoral drama, and first took shape in 1594 under Rinuccini, a Florentine.
The king having heard that Rinuccini had been appointed nuncio, and was on his way to Ireland, sent to Glamorgan a letter for that prelate and another for the pope.
Mock Heroic Poetry, the Drama, and Satire; Tassoni, Bracciolini, Andreini, and others. 15. History and Epistolary Writings; Davila, Bentivoglio, Sarpi, Redi. Historical Development of the Third Period. 2. The Melodrama; Rinuccini, Zeno, Metastasio. 3. Comedy; Goldoni, C. Gozzi, and others. 4. Tragedy; Maffei, Alfieri, Monti, Manzoni, Nicolini, and others. 5.
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