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Man, heave your great lubberly bones out of that chair and salute a poor devil whom, as you put it, a cordwainer's daughter has jilted." "Hullo!" cried I, who had turned from his rhapsody to con the news again, and on the instant had been caught by a familiar name at the foot of the page. "What is it?"

He fell into many more such passionate and incoherent expressions of rhapsody, as of one suddenly smitten and spell-bound with hapless love, bitterly reproaching the ambassador for never having brought him any answers to the many affectionate letters which he had written to the queen, whose silence had made him so wretched.

I affirm that he shared the general beatitude, and that, quite the reverse of La Fontaine, who, at the presentation of his comedy of the "Florentine," asked, "Who is the ill-bred lout who made that rhapsody?" Gringoire would gladly have inquired of his neighbor, "Whose masterpiece is this?"

But alas! how art thou fallen an everlasting example of overreaching oppression. "This evening there is a fine fair wind from northeast carrying us on at the rate of five or six knots. This is the cause of the foregoing rhapsody. Had it been otherwise than a fair wind I should never have been in spirits to have written so much stuff."

But it was not merely as singer that I wished to know him; nor to watch his dainty and graceful ways as he went about the daily duties of food-hunting, singing, and driving off marauders, which occupied his hours from dawn to late evening, and left him spirit enough for many a midnight rhapsody.

It passes straight into the waving, elemental motion, where again the hallowed horn utters its sibyl phrase, again rising to resonant height. And again merges the intimate song with the continuing pulse of the sea, while the trumpet softly sounds the legend and a still greater height of rhapsody.

But now, confining our attention to M. Michelet, we in England who know him best by his worst book, the book against priests, etc. know him disadvantageously. That book is a rhapsody of incoherence. But his "History of France" is quite another thing. A man, in whatsoever craft he sails, cannot stretch away out of sight when he is linked to the windings of the shore by towing-ropes of History.

Contrast this somewhat confused rhapsody with the clear, precise, yet genial words wherewith Goethe welcomed the new poet. He instantly seized, weighed in the fine balance of his ordered mind, and valued with nice discrimination, those qualities of Hebel's genius which had but stirred the splendid chaos of Richter with an emotion of vague delight.

He is as fully conscious of this fact as the reader of his rhapsody, nay, he is more profoundly penetrated with it than any of his readers. In speaking of the exalted condition the soul is capable of reaching, he says, "Every man's words, who speaks from that life, must sound vain to those who do not dwell in the same thought on their own part. I dare not speak for it.

To avoid irritating the susceptibility of the Minister of Police I wrote to him the following few lines: "The libel is the most miserable rhapsody imaginable. The author, probably with the view of selling his pamphlet in Holstein, predicts that Denmark will conquer every other nation and become the greatest kingdom in the world.