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In this finale, Verdi has utilized two native Egyptian themes, the melody sung by the priestesses with the harps, and the dance-melody given out by the flutes. The second scene opens the way for another ensemble, which with its massive choruses, and its stirring march and ballet, heralding the victory of Rhadames, is one of the most picturesque stage scenes the opera has ever furnished.

The latter suspects that she has a rival, but does not discover her until Rhadames returns victorious from an expedition against the rebellious Amonasro, who is brought back a prisoner.

Madame Dubeau was La Juive to his Eleazar, Leonore to his Manfred, Elsa to his Lohengrin, Aida to his Rhadames, Marguerite to his Faust; in brief, Madame Dubeau was his opposite. She caressed him as Mignon, pleaded with him as Michaela, died for him in "Les Huguenots," broke her heart for love of him in "La Favorite." How could he help but love her, Annette asked herself, how could he?

The latter agrees to release all but Aida and Amonasro, bestows the hand of Amneris upon the unwilling conqueror, and the act closes amid general jubilation. Acting upon Amonasro's admonitions, Aida influences Rhadames to fly from Egypt and espouse the cause of her father. The lovers are overheard by Amneris and Ramfis, the high priest.

"Be still yourself, miserable little fly," said Ceghéir-ben-Cheikh. He sneered. "The little one is afraid because she knows that I tell the truth. She knows the story of Lieutenant Ghiberti." "Lieutenant Ghiberti?" I said, the sweat standing out on my forehead. "He was an Italian officer whom I met between Rhât and Rhadamès eight years ago.

The trumpets of Aida had given their last heroic 'fanfare' in honor of Rhadames before the great sphinxes under the green foliage of the palm-trees, the dancers advanced, the light trembling on their spangled robes, and took possession of the stage. With much attention and pleasure Mrs.

The second act opens with a scene between Amneris and Aida, in which the Princess wrests the secret from the slave by pretending that Rhadames has been killed; and the truth is still further revealed when Rhadames pleads with the King to spare the lives of the captives.

We had just enough for two days before reaching the next well, and you know these wells; as Flatters wrote to his wife, "you have to work for hours before you can clean them out and succeed in watering beasts and men." By chance we met a caravan there, which was going east towards Rhadamès, and had come too far north. The camels' humps, shrunken and shaking, bespoke the sufferings of the troop.

The action of the opera passes in Memphis and Thebes, and the period is in the time of the Pharaohs. Aida, the heroine, is a slave, daughter of Amonasro, the King of Ethiopia, and at the opening of the opera is in captivity among the Egyptians. A secret attachment exists between herself and Rhadames, a young Egyptian warrior, who is also loved by Amneris, daughter of the sovereign of Egypt.

We must give a vote of thanks to good Ameur." His good spirits were contagious. "There is a good Turkish merchant who subscribes to all the interesting magazines of the two continents. He sends them on by Rhadamès to a destination which he little suspects. Ah, here are the French ones." M. Le Mesge ran feverishly over, the tables of contents.