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Whereas, if you play the charade of first love with her she will pose as a Raffaelle Madonna, practice all the little games of innocence upon you, and take you journeying at enormous cost through the Land of Sentiment." Savinien, still too young and too pure in honor, dared not confess his position as to money to Madame de Serizy.

He had talked over the art of sonneteering with Tasso, the art of history with Sarpi; he had listened, between awe and incredulity, to the daring theories of Galileo; he had taken his pupils to Venice, that their portraits might be painted by Paul Veronese; he had seen the palaces of Palladio, and the merchant princes on the Rialto, and the argosies of Ragusa, and all the wonders of that meeting-point of east and west; he had watched Tintoretto's mighty hand "hurling tempestuous glories o'er the scene;" and even, by dint of private intercession in high places, had been admitted to that sacred room where, with long silver beard and undimmed eye, amid a pantheon of his own creations, the ancient Titian, patriarch of art, still lingered upon earth, and told old tales of the Bellinis, and Raffaelle, and Michael Angelo, and the building of St.

He was also indefatigable in his application. Bellori says, "he made twelve different designs of the Loggia and paintings by Raffaelle in the Vatican; and twenty after the Battle of Constantine by Giulio Romano, besides many after Michael Angelo, Polidoro da Caravaggio, and others.

Peter's, and for a moment he was thunderstruck, for between the imperfectly closed shutters he could see all Rome, as he had seen it one day from the loggie of Raffaelle, and as he had pictured Leo XIII contemplating it from the window of his bed-room. However, it was now Rome by night, Rome spreading out into the depths of the gloom, as limitless as the starry sky.

"It is well then, that he did not break them," said the king, as he turned on his way a just rebuke for such fulsome self-adulation. The name of this illustrious painter and architect was Berrettini, and he was born at Cortona, near Florence, in 1596. At the age of fourteen he went to Rome, where he studied the works of Raffaelle and Caravaggio with the greatest assiduity.

"Nothing but custom," says a foreign writer, "can reconcile us to the cap, with all its lace and trumpery ornaments, on the beautiful head of a child; and I would ask any one to say candidly, whether he thinks the children in the pictures of Titian and Raffaelle would be improved by having their heads covered with caps, instead of the silken curls the adornment of nature which cluster round their smiling faces.

Giambattista Caporali gives a glimpse into their social life in Rome, telling of a supper given in their honour by Bramante Bramante, to whose introduction to the Pope of the young Raffaelle it is due that none of their work, with the exception of Perugino's ceiling, remains to us. How much Signorelli painted we do not know.

He won't even let me smoke, and he's been in the flat all day to see I didn't. You'll find the cigarettes behind the Madonna of the Chair." It was a steel engraving of the great Raffaelle, and the frame was tilted from the wall; at a touch a packet of cigarettes tumbled down from behind. "Thanks; and now a light."

It was this which caused Annibal Caracci to remark, on seeing for the first time a picture by Caravaggio, that he thought a style totally opposite might be made very captivating; and the hint, it is said, sunk deep into and was not lost on Guido, who soon after realized what his master had thus imagined. Perhaps no one ever caught more from others than Raffaelle.

I can easily imagine that if this extraordinary man had had the good fortune to have been born in Italy instead of Holland, had he lived in Rome instead of Leyden, and had been blessed with Michael Angelo and Raffaelle for his masters instead of Brower and Van Gowen, that the same sagacity and penetration which distinguished so accurately the different characters and expression in his vulgar figures, would, when exerted in the selection and imitation of what was great and elevated in nature, have been equally successful, and his name would have been now ranged with the great pillars and supporters of our art.