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Biff, the conservative; Biff, whose vote was invariably for the negative on any proposition involving an investment of Bobby's funds, unexpectedly added his weight for the affirmative. "It's a good stunt, Bobby. Go to it," he counseled, and the Caravaggio smiled down at him. Again Bobby laughed. "All right, Biff," said he. "I'll hunt up the manager of the Orpheum right away."
This voice, suddenly evolving out of the darkness at Bobby's side, ejaculated with supreme disgust: "Well, what do you think of that! Why, that fat little fishworm of a Dago is actually gone bug-house over Miss McGinnis," a fact which had been obvious to all of them the minute small Ricardo began to sing his wonderful love song to large Caravaggio.
Besides the main aisle, which occupies the centre, there is added a chapter-house in which the knights were wont to hold their meetings. At the upper end of this chapter-house is the fine Martyrdom of St. John the Baptist, by Caravaggio, though this has been disputed.
One of them imaged such a noble perfection of a home-scene that I dawdled there until the old custodian came shuffling back to see whether possibly I was trying to conceal a Caravaggio about my person: a great crimson-draped drawing-room of the amplest and yet most charming proportions; walls hung with large dark pictures, a great concave ceiling frescoed and moulded with dusky richness, and half-a-dozen south windows looking out on the Arno, whose swift yellow tide sends up the light in a cheerful flicker.
Philip of Macedon was made by the Thebans after Epaminondas his death, General of their Armies; and after the victory, he took from them liberty. The Milaneses when Duke Philip was dead, entertaind Francis Sforza into their pay against the Venetians, who having vanquisht their enemie at Caravaggio, afterwards joyned with them, where by to usurp upon the Milaneses his Masters.
Life without her on those nights would be a hollow mockery, the glance of any possible rival in her direction a desecration. Why, he even had to restrain himself to keep from doing actual damage to Philippi, who, though on the shady side of forty-five, still sang a most dashing Escamillo; nor was his jealousy less poignant because Philippi and Caravaggio were sworn enemies.
Here was the persecuting Bishop, Paul IV.'s ally against the Spaniards, painted by Caravaggio in hauberk and mailed gloves, with his motto Etiam cum gladio surmounting the episcopal chair; there the Duke who, after a life of hard warfare and stern piety, had resigned his office to his son and died in the "angelica vestis" of the tertiary order; and the "beatified" Duchess who had sold her jewels to buy corn for the poor during the famine of 1670, and had worn a hair-shirt under a corset that seemed stiff enough to serve all the purposes of bodily mortification.
It is a Caravaggio in its strength and breadth of light and shade, and a Correggio in its delicacy of sentiment and refined beauty of coloring. He was not often so fortunate in his Parmese efforts. They are usually marked by a timidity and an attempt at prettiness inconceivable in the haughty and impulsive master of the Neapolitan school.
"I think," replied the unabashed object of the jest, "that it was a great honor for me, who was then a beardless boy, to be treated as a rival by so able an artist." Matias de Torres, a Spanish painter, affected the style of Caravaggio. His compositions were half veiled in thick impenetrable shadows, which concealed the design, and sometimes left the subject a mystery.
With this vengeful shot in retaliation for his excuse about Young Fitz having been doubted he sailed away with the Caravaggio, who, though required to report at every rehearsal, was not in the cast for that night and was readily excused from further attendance.
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