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I say "perchance," because Rodin never gave any closer reason for the comparison he drew, so I can only give my own personal impression of what he may have meant. There are, to my thinking, two distinct Romes as there are two distinct Pragues. The old original Rome seems to me fundamentally, gloriously, and, indeed, unblushingly pagan.
Between these picturesque precipices lay the two Pragues, twin-born and quarrelsome, fighting each other for centuries, and growing up side by side into a double, bellicose, stormy, and most splendid city, bristling with steeples and spires, and united by the ancient many-statued bridge with its blackened mediaeval entrance towers.
Between these picturesque precipices lay the two Pragues, twin-born and quarrelsome, fighting each other for centuries, and growing up side by side into a double, bellicose, stormy, and most splendid city, bristling with steeples and spires, and united by the ancient many-statued bridge with its blackened mediaeval entrance towers.
Between these picturesque precipices lay the two Pragues, twin-born and quarrelsome, fighting each other for centuries, and growing up side by side into a double, bellicose, stormy, and most splendid city, bristling with steeples and spires, and united by the ancient many-statued bridge with its blackened mediaeval entrance towers.
Between these picturesque precipices lay the two Pragues, twin-born and quarrelsome, fighting each other for centuries, and growing up side by side into a double, bellicose, stormy, and most splendid city, bristling with steeples and spires, and united by the ancient many-statued bridge with its blackened mediaeval entrance towers.
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