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Then follows a long and juiceless Begriffszergliederung, which may be passed over as containing little that is of importance for the understanding of Schiller's individuality. At last he comes to the subject of tragic pathos, as the most important phase of the practical-sublime. Here he lays down the dogma that the final aim of art is the representation of the supersensuous.
Calvin Thomas - The Life and Works of Friedrich Schiller
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