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All these shields are manifestly post-Homeric; the first type is the most common in the Dipylon art; the third survived in the eighth- century buckler. No "practicable" breastplates, hauberks, corslets, or any things of the kind have so far been discovered in graves of the Mycenaean prime. But does this prove anything?
Homer usually ignores them: Hesiod and the authors of the Hymns are less noble in their selections. For this reason and for many others, we regard the Hymns, on the whole, as post-Homeric, while their collector, by inserting the Hymn to Ares, shows little proof of discrimination. Only the methods of modern German scholars, such as Wilamowitz Mollendorf, and of Englishmen like Mr.
It exhibits the intimate blending of the German and Christian elements, and their full development in splendid productions, for this was the period of the German national epos, the "Nibelungenlied," and of the "Minnegesang." This was a period which has nothing to compare with it in point of art and poetry, save perhaps, and that imperfectly, the heroic and post-Homeric age of early Greece.
For such a figure it is natural to assume a long development, the beginnings of which are, of course, enveloped in obscurity. However this may be, the Sibyl appears to have received full form under the religious impulse of post-Homeric times, under conditions the details of which are not known to us.
In the post-Homeric mythology, the two were again separated, and Charis, becoming divided in personality, appears as the Charites, or Graces, who were supposed to be constant attendants of Aphrodite. But in the Homeric poems the two are still identical, and either Charis or Aphrodite may be called the wife of the fire-god, without inconsistency. Thus to sum up, I believe that Mr.
Here we find, if Will wrote it, or had any hand in it, the greatest poet of the modern world in touch with the heroes of the greatest poet of the ancient world; but the English author's eyes are dimmed by the mists and dust of post-Homeric perversions of the Tale of Troy.
It exhibits the intimate blending of the German and Christian elements, and their full development in splendid productions, for this was the period of the German national epos, the "Nibelungenlied," and of the "Minnegesang." This was a period which has nothing to compare with it in point of art and poetry, save perhaps, and that imperfectly, the heroic and post-Homeric age of early Greece.
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