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It must come from Paris, and it must be waited for. All the bridesmaids were to have splendid pearl lockets containing coloured miniature photograph portraits of the beautiful bride, who for her part was utterly broken-hearted. "I thought God had forgotten me, because I deserved it; and I only hoped I might die, for I knew what the sailors said of Gilbert."

It became the fashion to introduce contemporary costumes, striking portraits, and familiar incidents into sacred subjects, so that many pictures of this period, though worthless to the student of religious art, are interesting for their illustration of Florentine custom and character.

Barbarelli never absolutely threw off the trammels of the Quattrocento, except in his portraits, but retained to the last not as a drawback, but rather as an added charm the naïveté, the hardly perceptible hesitation proper to art not absolutely full-fledged.

It would seem that in these early years one of his amusements was to make etchings of himself. In one year, 1630-31, he made nineteen of these portraits in different costumes and positions, with as many kinds of expression on his face. He often repeated the portrait of his mother also. In 1632 he painted the "School of Anatomy," now one of the gems of the fine gallery at the Hague.

She found herself in one long gallery whose walls were covered with these portraits. She had never thought there could be so many in any house. She walked slowly down this place and stared at the faces which also seemed to stare at her. She felt as if they were wondering what a little girl from India was doing in their house.

She elaborated whole romances to herself out of these portraits. She settled their loves and their temptations, heart-broken separations, and true lovers' meetings between them. Each one had his or her history woven out of the slender materials which Mrs. Eccles could give her of their real lives. Only one thing disappointed her, there was no portrait of the present Sir John.

The professor sat down; and Philip without a word placed before him the picture which the Salon had rejected; Foinet nodded but did not speak; then Philip showed him the two portraits he had made of Ruth Chalice, two or three landscapes which he had painted at Moret, and a number of sketches. "That's all," he said presently, with a nervous laugh.

Swathed in a closely fitting black dress with a mass of lace at her neck and sleeves, with sharp elbows and long pink fingers, she recalled the portraits of mediæval English ladies. The grave concentration of her face increased this likeness. The lady looked round at the room, glanced sideways at the man and the little girl, shrugged her shoulders, and moved to the window.

The portraits which Duerer painted at Venice, or soon after his return, betray the influence of other masterpieces on his own. Mr.

A mixed odor of the cellar, of the sepulchre, and of an old coach, struck Camors when he penetrated into the principal room, where his dinner was to be served. Taking up one or two flickering candles, the like of which he had never seen before, Camors proceeded to inspect the quaint portraits of his ancestors, who seemed to stare at him in great surprise from their cracked canvases.