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"Pardon me," I felt constrained to answer, "I see no sign of any wish for amendment. The only defence yet offered lies in a gross and groundless accusation against myself. When I came here I had no idea that Miss Pleyel meant to be dangerous to me. I learn from you the course on which she has decided." "She!" cried the baroness. "She has decided upon nothing.

Be the maker of your fortune, and may adversity instruct you in that wisdom, which education was unable to impart to you." Those were the last words which Pleyel uttered. He left the room, and my new emotions enabled me to witness his departure without any apparent loss of composure. As I sat alone, I ruminated on these incidents.

Then there is the ghost of poor Constance Pleyel, who came like a wraith out of the past and vanished again into the darkness; then there is myself for the centre of the story, whether I like it or not. Here are now my dramatis persono before me. The stage of my mind is crowded with auxiliaries, but I dare scarcely glance at them. And who was Constance Pleyel?

I looked around me to assure myself that the scene was real. I moved that I might banish the doubt that I was awake. Such enormous imputations from the mouth of Pleyel! To be stigmatized with the names of wanton and profligate! To be charged with the sacrifice of honor! with midnight meetings with a wretch known to be a murderer and thief! with an intention to fly in his company!

I had only that letter from Pleyel which he sent through you it is a month ago or more. Write to the same address, Rue et Hotel Beauveau. Perhaps you did not understand what I said above about my having played for Nourrit. His body was brought from Italy and carried to Paris. There was a Requiem Mass for his soul. I was asked by his friends to play on the organ during the Elevation.

In order to keep me strictly under his calming and friendly influence, he had at the same time given me a sonata to write which, as a proof of my friendship for him, I had to build up on strictly harmonic and thematic lines, for which he recommended me a very early and childlike sonata by Pleyel as a model.

I sent you before the New Year a bill of exchange for Wessel; tell Pleyel that I have settled with Wessel. Up to 1838 he had Stodart, and from 1839 to 1845 Stapleton, as partner. He retired in 1860, Messrs. Edwin Ashdown and Henry Parry being his successors. Since the retirement of Mr. Parry, in 1882, Mr. Ashdown is the sole proprietor. Mr.

If Pleyel does not like to give up the dedication of the Ballade, you will dedicate the Preludes to Schumann. Garczynski called upon me yesterday on his way back from Aix; he is the only person that I have received, for I keep the door well shut to all amateurs of music and literature. Of the change of dedication you will inform Probst as soon as you have arranged with Pleyel.

They thought that he only waited for a pause in the discourse, to produce the letter. The pause was uninterrupted by him. At length Pleyel said, "Well, I suppose you have found the letter." "No," said he, without any abatement of his gravity, and looking stedfastly at his wife, "I did not mount the hill." "Why not?" "Catharine, have you not moved from that spot since I left the room?"

The point discussed was the merit of the oration for Cluentius, as descriptive, first, of the genius of the speaker; and, secondly, of the manners of the times. Pleyel laboured to extenuate both these species of merit, and tasked his ingenuity, to shew that the orator had embraced a bad cause; or, at least, a doubtful one.