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Ces chèvres, les plus belles que j'aie jamais vues, sont la plupart blanches; elles n'ont point comme celles Syrie, les oreilles pendantes, et portent une laine longue douce et crépue. Les moutons ont de grosses et larges queues. On y nourrit aussi des ânes sauvages qu'on apprivoise et qui, avec un poil, des oreilles et une tête pareils

To exhibit his talents to the public was an offense to him, and he only cared for his remarkable technical skill as a means of placing his fanciful original poems in tone rightly before the public. It was with the greatest difficulty that his intimate friends, Liszt, Meyerbeer, Nourrit, Delacroix, Heine, Mme.

Similar changes are understood to have been made in "Le Prophète" by advice of Nourrit, whose poetical insight seems to have been unerring. It was left to Duprez, Nourrit's successor, however, to be the first exponent of John of Leyden.

Adolphe Nourrit, passionate and ascetic, with the spirit of some mediaeval monastic painter, an enthusiastic servant of art in its purest, severest form, a combination of poet and anchorite, is also there; for he loves the gentle musician, who seems to be a visitor from the world of spirits.

Nourrit, the Robert of the performance, misled by the situation and the fervor of his own feelings, threw himself into the trap, which was not properly set. Fortunately the mattresses beneath had not all been removed, or the tenor would have been killed, a doom which those on the stage who saw the accident expected.

In 1836, too, on February 28, I was present at the first performance of Les Huguenots, an opera which enchanted me. The action, the music, the stage setting, the interpretation, made an ensemble that was unique, a work of art that defied comparison. Nothing on the stage to my mind, has ever surpassed the duet in the fourth act as created and sung by Nourrit and Mlle. Falcon.

The funeral dirge will wait. In Marseilles we came upon Nourrit dead. Poor Adolphe! He could not bear the weight. A crash into eternity! I knew it all. The solemn mass ascended for his soul and high above it all, I spoke in swelling chords mystery pain justice the fatherland. A requiem for his soul for Chopin's soul? And Heine smiles. Brave Heine!

Gifted with remarkable intelligence and ambition, he worked indefatigably to overcome his defects of voice, and perfect his equipment as an artist. Manuel Garcia, the most scientific and exacting of singing teachers, was the maestro under whom Nourrit acquired that large and noble style for which he became eminent.

Viardot's entrance on her lyric career, yet bore such relation to the Garcia family as to make a brief account of this gifted artist appropriate under this caption. Adolphe Nourrit, of whom the French stage is deservedly proud, was the pupil of Manuel Garcia, the intimate friend of Maria Malibran, and the judicious adviser of Pauline Viardot in her earlier years.

Then Monsieur Gravier, in the course of a tour, had persuaded Mademoiselle Mars to write her name on this album, with Mademoiselles Georges, Taglioni, and Grisi, and some distinguished actors, such as Frederick Lemaitre, Monrose, Bouffe, Rubini, Lablache, Nourrit, and Arnal; for he knew a set of old fellows brought up in the seraglio, as they phrased it, who did him this favor.