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Bearing this outline of the building in mind, the visitor may at once proceed to examine the ruins of this fine monument of ancient genius, which are deposited in the Elgin Saloon of our National Museum. First, he may notice those alto-relievos, known as the The subject of these sculptures has been familiarised to the visitor in the Phigaleian marbles.
Lying scattered about were the shattered fragments of the sculptured frieze of the temple; and, with infinite labour the camp of explorers succeeded in gathering together and arranging the slabs which are now deposited in this, the Phigaleian saloon.
The sculptures known to the public as the Townley collection, are sculptures generally of a more modern date than those in the Elgin and Phigaleian Saloons.
Above the Phigaleian frieze, against the walls are placed two pediments, copied from those which ornamented the western and eastern ends of the temple of Jupiter Panhellenius, in AEgina.
The Royal Institution of Science and Literature, founded by William Roscoe in 1814, by the subscription of shareholders, contains a museum of natural history of considerable value, some curious pictures, a set of casts from the AEgina and Phigaleian marbles, and a collection of philosophical instruments, with a laboratory and a theatre in which lectures are occasionally delivered.
Having noticed these slabs, the wondrous workmanship of which must surprise the most indifferent and ill-informed observer, the visitor should at once turn to the other fragments arranged and numbered in the saloon. The fragments marked successively from 24 to 40, are parts of the temple to Apollo, from which the Phigaleian slabs were taken.
Directing his attention to the fragments which occupy the wall space below the Phigaleian frieze, he will find eleven fine bas-reliefs from the celebrated tomb erected at Halicarnassus, in the year 353 B.C., in honour of Mausolus, King of Caria, by Artemisia, his wife. Here the power of the later Greek sculptors is employed upon the battles of the Athenians with the Amazons.
Among the subjects represented are Perseus killing the Gorgon Medusa, and Hercules and the Cecrops. Having examined these objects, the visitor has brought his examination of the Phigaleian Saloon to a close, and he should forthwith enter upon the great labour of his fourth visit, by proceeding to the west into the noble room devoted to the
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