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But since I have worked that love-business over, it seems to me much less a one-part play, and if I could get a manager to take a fancy to it I could have my own way with it much better; at least, he wouldn't want me to take all the good things out of the other characters' mouths and stuff them into Haxard's." "Do you really think so?" "I really thought so before I got Godolphin's letter.
My three or four successes were a great gratification to me; not only the public, but my fellow actors at the Lambs, assured me that my future was MADE. 'Made? no, I said. 'No. I have no wish to become a one-part man. To John Drew I said I met him going into the Club-'H'ar you, Jesse? he said. ... Oh, yes; we are warm friends, old friends. I played for two years with John Drew.
In this he was aware, however, that though it might be now, as heretofore, the Loved who danced before him, it was the Goddess behind her who pulled the string of that Jumping Jill. He had lately been trying his artist hand again on the Dea's form in every conceivable phase and mood. He had become a one-part man a presenter of her only. But his efforts had resulted in failures.
Because of this unexampled run he was sometimes described by unthinking people as a one-part actor. Nothing could be farther from the truth. He possessed uncommon versatility. That after twenty years of the new Rip Van Winkle, when he was past fifty years of age, he could come back to such parts as Caleb Plummer and Acres is proof of this. He need not have done so at all.
Other leaders in the domestic relations court movement see little merit in the proposal for a one-part family court. They think that, in the large cities at least, the need would be better served by having the domestic relations and juvenile courts under one roof, but as two separate and distinct parts of the same court.
Because of this unexampled run he was sometimes described by unthinking people as a one-part actor. Nothing could be farther from the truth. He possessed uncommon versatility. That after twenty years of the new Rip Van Winkle, when he was past fifty years of age, he could come back to such parts as Caleb Plummer and Acres is proof of this. He need not have done so at all.
The pursuit of such identity of incident may the more cheerfully be left to the anecdotist, in that the biographical value of Amelia, is far more than incidental. For the book is, as has been said, a one-part piece.
He was not as attentive to the sermon as he should have been, for it now occurred to him that he had no stills of himself in the garb of a clergyman. This was worth considering, because he was not going to be one of those one-part actors. He would have a wide range of roles. He would be able to play anything. He wondered how the Rev.
During the journey from Ostend to Cologne I was three-parts asleep and one-part partially awake.
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