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To the superficial observer, who interests himself only in characters strongly marked and broadly colored, both the lovers may seem of too slight and commonplace a mould: in the delineation of characters purposely subdued, the reader sometimes imagines that there is a want of character; perhaps, indeed, I wrong the real nature of these two lovers by not painting more impressively their stronger individualities.
The attentive droop of his shoulders and head, the straining of the buttoned coat across his chest, the air as of one who waited and listened, which distinguished his figure, detracted from the promise of other than contemplative energy, until his eyes were fairly seen and felt. That is, until the observer became aware that those soft and large dark meditative eyes had taken hold of him.
Men sat grim-faced over the cards, the man who was winning, with his cold, eager eye; the chronic loser of the night with his iron smile; the professional, ever debonair, with the dull eye which comes from looking too often and too closely into the terrible face of chance. A very keen observer might have observed a resemblance between those men and Donnegan. Donnegan roved swiftly here and there.
There is a very common statement made by persons who have lived in China among the people, but not of them and the more superficial the acquaintance, the more emphatically is the statement made, that the ordinary Chinaman, be he prince or peasant, offers to the Western observer an insoluble puzzle in every department of his life.
We speak now only of our acquaintance with them in their own sphere, and the way in which they seem to fascinate and draw to them some genius who occupies himself with one thing, all his life long. The possibility of interpretation lies in the identity of the observer with the observed.
He was seen, however, and a close observer might have discovered the half sneer on the otherwise handsome and manly face of the Judge, who had taken in the situation. The horses were held in a walk as they came down near where the young man stood, with a half ashamed, yet eager, expression of countenance, and turned partly away, as if he expected in fact, wished for nothing.
The Palace of Machinery holds three lessons for the observer. It shows not only the state of man's invention at the present moment, the increasing displacement of coal by hydroelectric plants and liquid fuels, but what is perhaps more significant, the changing direction of invention toward devices for human betterment.
Witness of this scene, I could not but wonder at my stupidity in never having suspected the connection; but Claude Anet was so discreet, that a more penetrating observer might have been deceived. Their reconciliation affected me, and added respect to the esteem I before felt for him. From this time I became, in some measure, his pupil, nor did I find myself the worse for his instruction.
The inexperienced observer can only ask in wonder: "How can stammering or stuttering bring a man or woman to these depths of despair?" To the stammerer who has but begun to taste the sorrows of a stammerer's life these effects of stammering appear to be the ultimate result of an UNUSUAL case never the inevitable result of his own trouble.
An experiment on memory or attention or imagination or feeling may bring out in a few minutes mental facts which the ordinary observer would discover only if he were to watch the behaviour and life attitudes of the man for years. Everything depends upon the degree with which the characteristic mental states are brought into play under experimental conditions.
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