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He followed M'Coy out across the tiny square of Crampton court. He's a hero, he said simply. I know, M'Coy said. The drain, you mean. Drain? Lenehan said. It was down a manhole. They passed Dan Lowry's musichall where Marie Kendall, charming soubrette, smiled on them from a poster a dauby smile.

Shere Ali followed upon his heels. But these two were not alone to take that road. A third man, a Bengali, bespectacled, and in appearance most respectable, came down the steps of the musichall, a second after Shere Ali had crossed the road. He, too, had been a witness of the prize-fight. He hurried after Shere Ali and caught him up. "Very good fight, sir," he said.

Parker's little country church. He was there exactly what he was afterwards when he preached to thousands of eager people in the Boston Musichall; the same plain, simple, rustic, racy man. His congregation were his personal friends.

"I believe I remember now Charlotte's young man was suggesting that they should all go out to a musichall or something of the sort. I'm sure I'm positively sure that you won't find them."

The rarefied air of the academy and the arena produce the sixshilling novel, the musichall song. France produces the finest flower of corruption in Mallarme but the desirable life is revealed only to the poor of heart, the life of Homer's Phaeacians. From these words Mr Best turned an unoffending face to Stephen.

Going down the path of Sycamore street beside the Empire musichall Lenehan showed M'Coy how the whole thing was. One of those manholes like a bloody gaspipe and there was the poor devil stuck down in it, half choked with sewer gas. Down went Tom Rochford anyhow, booky's vest and all, with the rope round him. And be damned but he got the rope round the poor devil and the two were hauled up.