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It has been much doubted whether the artists of the classic ages possessed a more perfect light than those of modern times, or whether, in executing their minute mosaics and gem engravings, they need magnifiers. Glasses ground convex have been found at Pompeii, but they are too rudely fashioned and too imperfectly polished to have been of any practical use for optical purposes.
A colossal bust of Berenice faced the great head of an Amazon, whilst numerous statues, busts, and vases stood between the pillars; mosaics on the floor represented hunting scenes, the excellence of the work no less than its worn condition showing it to be of a time long gone by. Following his conductor, Basil passed along a corridor, and into a peristyle with a double colonnade.
These can hardly be wrong; I think I never yet saw an offensive introduction of the natural colors of marble and precious stones, unless in small mosaics, and in one or two glaring instances of the resolute determination to produce something ugly at any cost. On the other hand, I have most assuredly never yet seen a painted building, ancient or modern, which seemed to me quite right.
Not even the basilicas and mosaics of Rome, nor those of Palermo and Monreale, are equal for historical interest to those of Ravenna. Yet there is not one single church which remains entirely unaltered and unspoiled.
In the same interior are associated with mosaics, frescoes, or rather wall-paintings in secco. On the columns which support the cupola are frescoes which, though of no art value, naturally excited curiosity when they were discovered some few years since, after having been hid for two or more centuries by a covering of whitewash.
These columns support round arches, which divide the nave from the aisles, and on the whole length of the wall of the nave so supported are superb mosaics, full-length figures, in colors as fresh as if done yesterday, though they were executed thirteen hundred years ago. The mosaic on the left side which is, perhaps, the finest one of the period in existence is interesting on another account.
The chain of mosaics she had on at that moment displaced itself at every step, and he was peering with malignant, searching eagerness to see if an unsunned ring of fairer hue than the rest of the surface, or any less easily explained peculiarity, were hidden by her ornaments.
With the lifting of the curtain on the third act, the scene shifts. No more Sweet Waters, no more caiques nor stolen interviews, the music of hot kisses drowned in the splash of the listening fountain. Instead, there is seen a sumptuously furnished interior the walls wainscoted in Moorish mosaics and lined by broad divans covered with silken rugs.
A clammy conferva covers everything except the mosaics upon tribune, roof, and clerestory, which defy the course of age. Christ on His throne sedet aternumque sedebit: the saints around him glitter with their pitiless uncompromising eyes and wooden gestures, as if twelve centuries had not passed over them, and they were nightmares only dreamed last night, and rooted in a sick man's memory.
The vaulted ceiling was raised from a cornice, glowingly colored with motley and grotesque paintings; the ceiling itself was paneled in white compartments bordered with rich crimson; the unsullied and shining floor was paved with white mosaics, and along the walls were ranged benches for the accommodation of the loiterers.
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