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The clock showed three minutes past nine. The electric cars to and from the town of Turnhill were rumbling past the very door of the Morfes every five minutes, and would continue to do so till midnight. But Silverhays is a mining village a couple of miles beyond Turnhill, and the service between Turnhill and Silverhays ceases before ten o'clock.

You'll easily be able to catch the last car back from Turnhill if you start at once. I daresay I shall go to bed." And in three minutes Richard Morfe and Eva Harracles were being sped into the night by Mary Morfe. The Morfes' house was at the corner of Trafalgar Road and Beech Street. The cars stopped at that corner in their wild course towards the town and towards Turnhill. A car was just coming.

In the ordinary course it is not considered outrageous to enter a drawing-room even at nine o'clock at night with the permission and encouragement of the servant in charge of portals. But the case of the Morfes was peculiar. Mr Morfe was a bachelor aged forty-two, and looked older. Mary Morfe was a spinster aged thirty-eight, and looked thirty-seven.

It was Mary Morfe who had created the institution of the Friday night, and she had created it in order to prove, symbolically and spectacularly, to herself, to him, and to the world, that he and she lived for each other alone. All their friends, every member of the choir, in fact the whole of the respectable part of barsley, knew quite well that in the Morfes' house Friday was sacredly Friday.