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At the age of fifteen he had left his father's house and had gone on foot to Nice, where the Duke of Savoy held his court; there he entered the service of the Duke of Moreto, and this lord having been appointed, some years afterwards, to the Scottish embassy, Rizzio followed him to Scotland.

She begged him then of Moreto, making no more of it than if she had asked of him a thoroughbred dog or a well-trained falcon.

In the same city of Padua many things were wrought by Niccolò Moreto, who lived eighty years, and never ceased to exercise his art. Besides these there were many others, who were connected with Gentile and Giovanni Bellini; but Vittore Scarpaccia was truly the first among them who made works of importance.

Take this one, for instance, as a specimen of a fairly good seventeenth-century epitaph, from Shrewton, a village on Salisbury Plain, not far from Stonehenge: HERE IS MY HOPE TILL TRVMP SHALL SOVND AND CHRIST FOR MEE DOTH CALL THEN SHALL I RISE FROM DEATH TO LIFE NOE MORETO DYE AT ALL

At the age of fifteen he had left his father's house and had gone on foot to Nice, where the Duke of Savoy held his court; there he entered the service of the Duke of Moreto, and this lord having been appointed, some years afterwards, to the Scottish embassy, Rizzio followed him to Scotland.

She begged him then of Moreto, making no more of it than if she had asked of him a thoroughbred dog or a well-trained falcon.

The traditions of the past names, such as Calderon, Lope de Vega, Tirso de Molina, Moreto, and others, cannot exactly be said to be kept up, for these are, most of them, of European fame; but in a country where the theatre is the beloved entertainment of all classes, and perhaps especially so of the poor or the working people, there are never wanting dramatists who satisfy the needs of their auditors, and whose works are sometimes translated into foreign languages, if not actually acted on an alien stage.

Of the great multitude of ingenious and acute writers, who were then tempted by the dazzling splendour of the theatrical career to write for the stage, the greater part were mere imitators of Calderon; a few only deserve to be named along with him, as Don Agustin Moreto, Don Franzisco de Roxas, Don Antonio de Solis, the acute and eloquent historian of the conquest of Mexico, &c.