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By which means it is, yet by my courtesy, that scarce any kind of men live more voluptuously or with less trouble; as believing that Christ will be well enough pleased if in their mystical and almost mimical pontificality, ceremonies, titles of holiness and the like, and blessing and cursing, they play the parts of bishops.
The fool or clown in Shakspeare's comedies is far more of an ironical humorist than a mimical buffoon. Intrigue in real life is foreign to the Northern nations, both from the virtues and the defects of their character; they have too much openness of disposition, and too little acuteness and nicety of understanding.
Or the life of that mimical brute which is always active in playing uncouth and unlucky tricks; which, could it speak, might surely pass well for a professed wit?
They are little else than stage-players. "Good Lord! how mimical are their gestures! What heights and falls in their voice! What teeming, what bawling, what singing, what squeaking, what grimaces, making of mouths, apes' faces, and distorting of their countenance; and this art of oratory, as a choice mystery, they convey down by tradition to one another."
All their preaching is mere stage-playing, and their delivery the very transports of ridicule and drollery. Good Lord! how mimical are their gestures? What heights and falls in their voice?
Sometimes it lieth in pat allusion to a known story, or in seasonable application of a trivial saying, or in forging an apposite tale: sometimes it playeth in words and phrases, taking advantage from the ambiguity of their sense, or the affinity of their sound: sometimes it is wrapped in a dress of humorous expression; sometimes it lurketh under an odd similitude; sometimes it is lodged in a sly question, in a smart answer, in a quirkish reason, in a shrewd intimation, in cunningly diverting, or cleverly retorting an objection: sometimes it is couched in a bold scheme of speech, in a tart irony, in a lusty hyperbole, in a startling metaphor, in a plausible reconciling of contradictions, or in acute nonsense: sometimes a scenical representation of persons or things, a counterfeit speech, a mimical look or gesture passeth for it: sometimes an affected simplicity, sometimes a presumptuous bluntness giveth it being; sometimes it riseth from a lucky hitting upon what is strange, sometimes from a crafty wresting obvious matter to the purpose: often it consisteth in one knows not what, and springeth up one can hardly tell how.
Sometimes it lieth in pat allusion to a known story, or in seasonable application of a trivial saying, or in forging an apposite tale; sometimes it playeth in words and phrases, taking advantage from the ambiguity of their sense, or the affinity of their sound: sometimes it is wrapped in a dress of humorous expression: sometimes it lurketh under an odd similitude: sometimes it is lodged in a sly question, in a smart answer, in a quirkish reason, in a shrewd intimation, in cunningly diverting or cleverly retorting an objection: sometimes it is couched in a bold scheme of speech, in a tart irony, in a lusty hyperbole, in a startling metaphor, in a plausible reconciling of contradictions, or in acute nonsense: sometimes a scenical representation of persons or things, a counterfeit speech, a mimical look or gesture, passeth for it: sometimes an affected simplicity, sometimes a presumptuous bluntness giveth it being: sometimes it riseth only from a lucky hitting upon what is strange: sometimes from a crafty wresting obvious matter to the purpose.
Those fables, says Valerius Maximus, out of Livy, were tempered with the Italian severity, and free from any note of infamy or obsceneness; and, as an old commentator on Juvenal affirms, the Exodiarii, which were singers and dancers, entered to entertain the people with light songs and mimical gestures, that they might not go away oppressed with melancholy from those serious pieces of the theatre.
Finally, all their actions are so buffoonish and mimical, that any would judge they had learned all their tricks of mountebanks and stage-players, who in action it is true may perhaps outdo them, but in oratory there is so little odds between both, that it is hard to determine which seems of longest standing in the schools of eloquence.
He or she whose motion is not much when discoursing with any one, is for the most part wise and well bred, and fit for any employment, ingenious and apprehensive, frugal, faithful and industrious in business. He whose posture is forwards and backwards, or, as it were, whisking up and down, mimical, is thereby denoted to be a vain, silly person, of a heavy and dull wit, and very malicious.
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