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"You're right, Mammy Peggy, and I'm glad I stayed and faced him, for it doesn't seem now as if a stranger had the house, and it has given me a great pleasure. It seemed like having Phil back again to have him talked about so by one who lived so near to him." "I tell you, chile," mammy supplemented in an oracular tone, "de right kin' o' pride allus pays." Mima laughed heartily.

It seemed that she could never do enough for the pale, stooped old man, and he declared that he had never felt better in his life than he grew to feel under her touch. An injury to his spine had resulted in partially disabling him, but his mind was a rich store of knowledge, and his disposition was tender and cheerful. So it pleased his son sometimes to bring Mima over to see him.

And sometimes when Bartley had forgotten to speak of it before mammy had left, he would arrange his baskets and carry his offering over himself. Mima thought it was very thoughtful and kind of him, and she wondered on these occasions if they ought not to keep Mr.

Autumn was painting the trees about the place before the necessity of being at his father's side called him from his voluntary exile. And then he did not go to see Mima. He was still bowed with shame at what he thought his unmanly presumption, and he did not blame her that she avoided him. His attention was arrested one day about a week after his return by the peculiar actions of Mammy Peggy.

The exact conformity between our Clown and the Exodiarii and Emboliariae of the Roman stage is ascertained by that passage in Pliny "Lucceia Mima centum annis in scena pronuntiavit.

Indeed, between the two, the old woman had a hard time of it, for Mima was tearful and morose, and would not speak to her except to blame her. As the days went on she wished to all the powers that she had left the Harrison pride in the keeping of the direct members of the family. It had proven a dangerous thing in her hands. Mammy soliloquized when she was about her work in the kitchen.

Servius calls her a Mima, or one who danced in the Pantomimic dances, and which seems more probable, as she is mentioned by Cicero, who says the part of Andromache was played by a male performer on the very day Arbuscula also performed. The principal Roman Mimas were: Arbuscula, Thymele, Licilia, Dionysia, Cytheris, Valeria, and Cloppia.

Punch" Zany, how the word originated Ancient Masks Lucian, Cassiodorus, and Demetrius in praise of Pantomime A celebrated Mima Pantomimes denounced by early writers The purity of the English stage contrasted with that of the Grecian and Roman Female parts on the Grecian and Roman stages The principal Roman Mimas The origin of the Clown of the early English Drama.

"He is among those out on the hill behind the orchard," said Mima, sadly. Mammy Peggy wiped her eyes, and went about trying to add some touches of comfort to the already perfect room. "You have no reason to sorrow, Miss Harrison," said Northcope gently, "for a brother who died bravely in battle for his principles.

Elsewhere we find risu, the Hebrew rosh, "a head," har "a mountain," samama "heaven," and mima "water," in Hebrew shâmayim and mayim, which we gather from the cuneiform spelling have been wrongly punctuated by the Masoretes, as well as khaya "living," the Hebrew khai, and makhsû, "they have smitten him," the Hebrew makhatsu.