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The history of the mind of Mendelssohn is one of the noblest pictures of the self-education of genius. Friends, whose prudential counsels in the business of life are valuable in our youth, are usually prejudicial in the youth of genius.

Mendelssohn engaged her for the musical festival at Aix-La-Chapelle, where he was the conductor, and was so delighted with her singing that he said, "There will not be born in a whole century another being so largely gifted as Jenny Lind." Lind's personation was like a piece of porcelain beside tawdry daubings on crockery."

Evringham cleared his throat. "Madam," he said, lowering his voice, "that child has a most amazing talent." "Jewel's voice, do you mean?" "She'll sing, I'm sure of it," he replied, "but I mean for music in general. Eloise is an accomplished pianist. She has one piece that Jewel especially enjoyed, the old Spring Song of Mendelssohn. Probably you know it." Julia shook her head. "I doubt it.

Think of the part the Jew has played Moses giving the world its morality, Jesus its religion, Isaiah its millennial visions, Spinoza its cosmic philosophy, Ricardo its political economy, Karl Marx and Lassalle its socialism, Heine its loveliest poetry, Mendelssohn its most restful music, Rachael its supreme acting and then think of the stock Jew of the American comic papers!

"And now, Socrates," said I at parting, "we go on our several ways, you to steal tomatoes, I to filch ideas from other people; for the rest which of these two roads will be the better going, our father which is in heaven knows, but we know not." I have never seen Mendelssohn, but there is a fresco of him on the terrace, or open-air dining-room, of an inn at Chiavenna.

Domestic Concerts are got up to gratify her: a Miss Fredericks: good old English name. Mr. Radnor calls his daughter, Freddy; so Mr. Taplow, the architect, says. They are for modern music and ancient. Tannhauser, Wagner, you see. Pergolese. Flute-duet, Mercadante. Here we have him! O Durandarte: Air Basque, variations his own. Again, Senor Durandarte, Mendelssohn.

Mendelssohn himself once remarked to me, with regard to conducting, that he thought most harm was done by taking a tempo too slow; and that on the contrary, he always recommended quick tempi as being less detrimental.

But the burning passion with which Tristan is filled necessitated another mode of treatment, a mode which Wagner alone amongst musicians had the art and strength to employ. Other composers, notably Weber and Mendelssohn, had given the world grand scenic music; but where they left off Wagner began. Their picture is an end in itself: Wagner's are settings for the dramatic action.

Fanny speaks in admiration of her beautiful eyes and expression, and praises her constant gentleness, which so often soothed her brother's nervous and irritable moods. But not even her kindness could make Mendelssohn forget the death of his sister, who had been a second self to him. When he first heard of it, he uttered a shriek, and fell senseless to the ground.

We spent an evening together at Schumann's, had a little music, and finally began a discussion on Mendelssohn and Meyerbeer, in which Liszt and Schumann differed so fundamentally that the latter, completely losing his temper, retired in a fury to his bedroom for quite a long time.