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XXXV. But no less marvellous is that part which does not relate to the histories at all, that is to say, certain nudes who sit upon plinths above the before-mentioned cornice, one on either side holding up the medallions, which, as has been said, appear to be of metal, on which, in the style of reverses, are designed several stories, all however appropriate to their principal histories.

The house that he occupied, of Venetian design, and four stories in height, bore many architectural marks of distinction, such as the floriated window, the door with the semipointed arch, and medallions of colored marble set in the walls. The Senator was a great admirer of Venice.

The windows of Chartres were presented by the trades of the town, and at the bottom of each window is a representation of the proceedings of the tradesmen at the business which enabled them to pay for the window. There are smiths at the forge, curriers at their hides, tanners looking into their pits, mercers selling goods over the counter all made into beautiful medallions.

The triumphant leaders of the crew, the twenty lads who sit upon their consoles, sustaining medallions by ribands which they lift, have been variously and inconclusively interpreted. In the long row of Michelangelo's creations, those young men are perhaps the most significant athletic adolescents, with faces of feminine delicacy and poignant fascination.

In the tympanum is a beautiful Madonna and Child, and two round medallions with heads adorn the spandrils above the arch. Beyond each pilaster is a canted side joining the porch to the wall and having a large niche and figure near the top.

The medallions are a series of little grotesques, some of them ineffably entertaining, and others expressive of real depth of knowledge and thought. Ruskin has eulogized some of these little figures: one as having in its eye "the expression which is never seen but in the eye of a dog gnawing something in jest, and preparing to start away with it."

It is a square stuccoed structure, stained light green, and covered by a dome, a tasteless monument, embellished with stucco medallions, inside, of the poet, of Virgil, of Brunetto Latini, the poet's master, and of his patron, Guido da Polenta.

The opening itself is round-headed with three bands of carving running all round it, separated by slender shafts of which the outermost up to the springing of the arch is a beautiful spiral with four-leaved flowers in the hollows. Of the carved bands the innermost is purely renaissance, with candelabra, medallions, griffins and leaves all most beautifully cut in the warm yellow limestone.

Especially was Lucille impressed with the long series of portrait medallions of all the Popes from St. Peter to Leo X. worked in mosaic above the polished columns. Many monuments in St. Peter's were erected to the memory of several of the famous Popes.

The most fascinating part of it is the figures in the two little medallions: two perfect pieces of colour and design. The kneeling monk on the right is Lippo Lippi himself. Near it is the Madonna adoring, No. 79, of which I have spoken, with herself so luminous and the background so dark; the other No. 82 is less remarkable.