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The same Giovanni executed the paintings and all the stucco-work in the loggia of the villa that Cardinal Giulio de' Medici caused to be built under Monte Mario, wherein are animals, grotesques, festoons, and friezes of such beauty, that it appears as if in that work Giovanni had sought to outstrip and surpass his own self.

And in this manner have been published, among other plates, grotesques, ancient temples, cornices, bases, capitals, and many other suchlike things, with all their measurements.

In the ornamentation of this chapel, then, are certain socles, each two and a half braccia in breadth, which are on either side of the altar, and upon these are pilasters five braccia high, two on either side, between which is the story of the Magi; and on the pilasters next to the story, of which two of the faces are seen, are carved some candelabra, with friezes of grotesques, masks, little figures, and foliage, which are things divine.

On the north side, the six buttresses project 5 feet at the base and rise to the parapet in two stages, which are crowned by gables. These gables have their sides curved inwards and are adorned with crockets and finials, the latter being attached to the front of the gable, while grotesques project from the angles.

The ninth baronet had shied violently at a round scarlet table, inlaid tinder glass with blue Australian butterflies' wings, and was clinging to her Louis-Quinze cabinet; Francie Forsyte had seized the new mantel-board, finely carved with little purple grotesques on an ebony ground; George, over by the old spinet, was holding a little sky-blue book as if about to enter bets; Prosper Profond was twiddling the knob of the open door, black with peacock-blue panels; and Annette's hands, close by, were grasping her own waist; two Muskhams clung to the balcony among the plants, as if feeling ill; Lady Mont, thin and brave-looking, had taken up her long-handled glasses and was gazing at the central light shade, of ivory and orange dashed with deep magenta, as if the heavens had opened.

In addition, one finds the usual Lombard grotesques two sea-monsters, biting each other; harpy-birds; a dragon with a twisted tail; little men grinning and squatting in adaptation to coigns and angles of the windows. The toothed and chevron patterns of the north are quaintly blent with rude acanthus scrolls and classical egg-mouldings. Over the western porch is a Gothic rose window.

The same spirit is seen in the grotesques of the Renaissance, where the sense of humour is not emphasized, the ideal in this class of decoration being simply to fill the space acceptably, with voluptuous graceful lines, mythological monstrosities, the inexpressive mingling of human and vegetable characteristics, grinning dragons, supposed to inspire horror, and such conceits, while the attempt to amuse the spectator is usually absent.

Christianity, with its gargoyles and grotesques, really amounted to saying this: that a donkey could go before all the horses of the world when it was really going to the temple. Romance means a holy donkey going to the temple. Realism means a lost donkey going nowhere.

After a time the attentive reader will notice in these stories a recurrent pattern of theme and incident: the grotesques, gathering up a little courage, venture out into the streets of Winesburg, often in the dark, there to establish some initiatory relationship with George Willard, the young reporter who hasn't yet lived long enough to become a grotesque.

At the head of the staircase, which was made in a spiral shape, the first room was painted by Santi Titi, a painter of Florence, who acquitted himself very well; the larger room, which is beside the first, was painted by the above-named Federigo Zucchero, the brother of Taddeo; and the Sclavonian Giovanni dal Carso, a passing good master of grotesques, executed another room beyond it.