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Reply led to rejoinder, and one epistle to another, until all the chief bards of the four provinces had taken sides. Half a dozen writers, pro and con, were particularly distinguished; McDaire himself, Turlogh O'Brien, and Art Oge O'Keefe on behalf of the Southerners; O'Clery, O'Donnell, the two McEgans, and Robert McArthur on the side of the North.
But the great body of Gaelic verse of the first half of this century is known under the name of "The Contentions of the Bards," the subject being the relative dignity, power, and prowess of the North and South. The gauntlet in this poetic warfare, was thrown down by McDaire, the Bard of Donogh O'Brien, fourth Earl of Thomond, and taken up on the part of Ulster by Lewy O'Clery.
But the great body of Gaelic verse of the first half of this century is known under the name of "The Contentions of the Bards," the subject being the relative dignity, power, and prowess of the North and South. The gauntlet in this poetic warfare, was thrown down by McDaire, the Bard of Donogh O'Brien, fourth Earl of Thomond, and taken up on the part of Ulster by Lewy O'Clery.
Reply led to rejoinder, and one epistle to another, until all the chief bards of the four provinces had taken sides. Half a dozen writers, pro and con, were particularly distinguished; McDaire himself, Turlogh O'Brien, and Art Oge O'Keefe on behalf of the Southerners; O'Clery, O'Donnell, the two McEgans, and Robert McArthur on the side of the North.
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