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One afternoon in the spring of 1887 MacDowell and his friend Templeton Strong, a brilliant American composer who had recently moved from his home in Leipzig to Wiesbaden, were tramping through the country when they came upon a dilapidated cottage on the edge of the woods, in the Grubweg. It had been built by a rich German, not as a habitation, but as a kind of elaborate summer house.

This passage is intended to express the rage and jealousy of Guinevere; but MacDowell has given no indication of this fact in his score, and only occasionally does the information find its way into the programme-books. Yet in his own copy of the score he wrote a complete and detailed key to the significance of the music at every point. Such are the ways of the musical realist!

MacDowell and her son were not slow to avail themselves of this proposal, and the end of the year 1878 found them in Wiesbaden. Here they met Heymann, who had just concluded a triumphantly successful tournée of the European capitals. They heard him play, and were impressed by his mastery and poetic feeling.

His performance "was worthy of the warmest praise ... seeing gorgeous or delicate colours and hearing the voices of orchestral instruments, it is no wonder that Mr. MacDowell is a pianist of rare fascination." On January 28, 1893, the "Hamlet and Ophelia" was played, for the first time in Boston, by the Symphony Orchestra under Mr.

Chemists were given a hearing, patient and most courteous. One day Armour beckoned C. H. MacDowell into his private office and said, "I say, Mac, if a man calls who looks like a genius or a fool, wearing long hair, whiskers and spectacles, treat him gently he's a German and may have something in his head besides dandruff." MacDowell is one of the Big Boys at Armour's.

"First, to teach music scientifically and technically, with a view to training musicians who shall be competent to teach and to compose. Second, to treat music historically and aesthetically as an element of liberal culture." This plan involved five courses of study, and a brief description of them will indicate the scope of the task undertaken by MacDowell.

She walked with a certain quiet dignity characteristic of her but with care and very slowly because because Gerty MacDowell was... Tight boots? No. She's lame! Mr Bloom watched her as she limped away. Poor girl! That's why she's left on the shelf and the others did a sprint. Thought something was wrong by the cut of her jib. Jilted beauty. A defect is ten times worse in a woman.

I was in the bondage of tropical customs, and I had lapsed back into a state of what my aunt called semi-barbarism. "Let me enjoy this heavenly cool climate, and do not worry me," I begged. I shuddered when I heard people complain of the cold winds of the San Francisco summer. How do they dare tempt Fate, thought I, and I wished them all in Ehrenberg or MacDowell for one summer.

But if MacDowell displayed at times the usual inconsistency of the modern tone-poet in his attitude toward the whole subject of programme-music, the tendency was neither a persistent nor determined one; and he was, as I have noted, even less disposed toward the frankly literal methods of which Strauss and his followers are such invincible exponents.

Roasts of beef and haunches of venison, ducks and other good things we had through the winter. It was cool enough to wear white cotton dresses, but nothing heavier. It never rained, and the climate was superb, although it was always hot in the sun. We had heard that it was very hot here; in fact, people called MacDowell by very bad names.