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Legrand had been awaiting us in eager expectation. He grasped my hand with a nervous empressement which alarmed me and strengthened the suspicions already entertained. His countenance was pale even to ghastliness, and his deep-set eyes glared with unnatural lustre.

I knew it! hurrah!" vociferated Legrand, letting the negro go, and executing a series of curvets and caracols, much to the astonishment of his valet, who, arising from his knees, looked, mutely, from his master to myself, and then from myself to his master. "Come! we must go back," said the latter, "the game's not up yet;" and he again led the way to the tulip-tree.

The negro obeyed him promptly, and apparently with but little trouble, ascending higher and higher, until no glimpse of his squat figure could be obtained through the dense foliage which enveloped it. Presently his voice was heard in a sort of halloo. "How much fudder is got for go?" "How high up are you?" asked Legrand. "Ebber so fur," replied the negro; "can see de sky fru de top ob de tree."

From this point of view Rops himself, in spite of his symbolist tendencies, could not be classed with any other group, if it were not that any kind of classification in art is useless and inaccurate. However that may be, Louis Legrand has signed some volumes resplendent with the most seductive qualities.

He has irony and wit and humour the two we seldom bracket and he has pity also; he loves the humble and despised. His portraits of babies, the babies of the people, are captivating. Imagine a Rops who has some of Millet's boundless sympathy for his fellow-humans and you have approximately an understanding of Louis Legrand.

"I sent for you," said he, in a grandiloquent tone, when I had completed my examination of the beetle, "I sent for you that I might have your counsel and assistance in furthering the views of Fate and of the bug " "My dear Legrand," I cried, interrupting him, "you are certainly unwell, and had better use some little precautions.

On arriving at the platform of the guillotine, already stained with the blood of Bernard, Lesurques exclaimed, "I pardon my judges; I pardon the witnesses through whose error I die; and I pardon Legrand, who has not a little contributed to my judicial assassination. I die protesting my innocence." In another instant he was no more.

"Jupiter," said he, when we reached its foot, "come here! was the skull nailed to the limb with the face outwards, or with the face to the limb?" "De face was out, massa, so dat de crows could get at de eyes good, widout any trouble." "Well, then, was it this eye or that through which you dropped the beetle?" here Legrand touched each of Jupiter's eyes.

Legrand sketches the dancer from the moment when her mother brings her, a child, to undergo the ordeal of the first lesson. The tender tot stands hesitating in the doorway; one hand while holding the door open seems to grasp it as the last barrier of defence that stands between her and the strange new world. She is attired in the classical figurante's costume.

His demeanor was dogged in the extreme, and "dat d d bug" were the sole words which escaped his lips during the journey. For my own part, I had charge of a couple of dark lanterns, while Legrand contented himself with the scarabæus, which he carried attached to the end of a bit of whip-cord; twirling it to and fro, with the air of a conjuror, as he went.