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The movements of the astral body flow towards the larynx, where they are seized by the I; through their help the I imbues the larynx with the faculty of producing these sounds itself. Here, therefore, the I is active essentially within the astral body which has received its stimulus from outside.

How many of us know that the voice is produced in the larynx, and modified by the mouth? How many among these instructed persons understand how the voice is produced and modified? And what living man, if he had unlimited control over all the nerves supplying the mouth and larynx of another person, could make him pronounce a sentence? Yet, if one has anything to say, what is easier than to say it?

Second, to raise the soft palate at the same time toward the nose, so that the breath remains stationary until the singing begins. Third, to jerk the tongue backward at the same time, its back being thus raised, and elastic, ready to meet all the wishes of the singer, that is, the needs of the larynx. The larynx must not be pressed either too low or too high, but must work freely.

They have the general appearance of ridge-like projections from the sides of the larynx, but at their edges they are sharp and smooth. The open space between the cords is called the glottis. When sound is not being produced, the glottis is open and has a triangular form, due to the spreading apart of the arytenoid cartilages and the attached cords.

The inflammatory blush of the larynx, though often existing in a very slight degree, deserves considerable attention. The appearances in the trachea are very uncertain. There is occasionally the greatest intensity of inflammation through the whole of it; at other times there is not the slightest appearance of it.

The presence of a foreign body in the larynx is at all times the cause of distressing symptoms, and, sometimes, a substance of the smallest size will cause death. There is a curious accident recorded that happened to a young man of twenty-three, who was anesthetized in order to extract a tooth. A cork had been placed between the teeth to keep the mouth open.

Similar experiments would probably show that unconscious movements of the larynx also occur during the listening to vocal tones. A peculiarity of the laryngeal adjustments accompanying the listening to voices is seen in the fact that the possession of a fine or well-trained voice is not required in this process.

In men's voices this is much more plainly audible than in women's; but both turn it to account equally on different tones. This often produces a new register that should not be produced. This belongs to the chapter on registers. What is a vocal register? A series of tones sung in a certain way, which are produced by a certain position of the vocal organs larynx, tongue, and palate.

The rhyming pur of satisfaction, the fawning accents of appeal, the vigorous bursts of passion, and innumerable diatonic varieties, proceed from your larynx, according to the order of nature. My dear Cat, you are a dramatic musician! In your amusements, you prefer pantomime to dialogue; and you neglect the pen to study the picture. But then what agility! what dancing! what cross-capers!

And when it is further considered that these elaborate and sensitive mechanisms of the larynx are of little use except when adequately put into action by the breath-stream, which again involves hosts of other muscular movements, and the whole in relation to the parts of the vocal apparatus above the larynx, the mouth, nose, etc., it becomes clear that only long, patient, and intelligent study will lead to the highest results.