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One of my school-books contained a description of the Czar Kolokol, or Great Bell, and stated that a horse and chaise could pass through the hole where a piece was broken from one side. Possibly the miniature vehicle of Tom Thumb could be driven through, but, certainly, no ordinary one-horse shay could have any prospect of success.
Imagine a circular room more than twenty feet in diameter, and of proportionate height, and you have some faint idea of the interior of the Tzar Kolokol. It is said that it required ten strong men to draw the clapper from the centre to the inner rim, by means of ropes, so as to produce the ordinary sounds of which the bell was capable.
One of the most remarkable objects of interest within the walls of the Kremlin is the Tzar Kolokol, or King of Bells, cast in 1730 by order of the Empress Anne, and said to be not only the largest bell, but the largest metal casting in existence.
Within these walls stand the chief glories of Moscow the palaces of the Emperor, the Cathedral of the Assumption, the House of the Holy Synod, the Treasury, the Arsenal, and the Czar Kolokol, the great king of bells. All these gorgeous edifices, and many more, crown the eminence which forms the sacred grounds, clustering in a magic maze of beauty around the tower of Ivan the Terrible.
By far the most influential periodical at the commencement of the movement was the Kolokol, or Bell, a fortnightly journal published in London by Herzen, who was at that time an important personage among the political refugees. Herzen was a man of education and culture, with ultra-radical opinions, and not averse to using revolutionary methods of reform when he considered them necessary.
From the Tzar Kolokol I took my way, under the guidance of Dominico, to the tower of Ivan Veliki, which we ascended by the winding stairway of stone. The view from the top of this tower is incomparably the finest to be had from any point within the limits of Moscow.
When all the bells of the tower, save the largest, were tolled together, the effect was absolutely sublime, surpassing in the grandeur and majesty of their harmony any thing I had ever heard produced through human agency. Judge, then, what must have been the effect when the Tzar Kolokol rolled forth a jubilee or a death-knell from his iron tongue!
He got married at Tobolsk and became a mere respectable, middle-class man. And then he has no individual ideas. Herzen, the pamphleteer of "Kolokol," inspired him with the only fertile phrase that he ever uttered: "Land and Liberty!" But that is not yet the definite formula, the general formula what I may call the dynamite formula.
Herzen, for instance, wrote in the Kolokol a glowing panegyric on two Russian officers who had refused to fire on the insurgents; and here and there a good Orthodox Russian might be found who confessed that he was ashamed of Muravieff's extreme severity in Lithuania.
* As an illustration of this, the following anecdote is told: One number of the Kolokol contained a violent attack on an important personage of the court, and the accused, or some one of his friends, considered it advisable to have a copy specially printed for the Emperor without the objectionable article.
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