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"One relief you must have had in the galleries," retorted Easelmann; "your all-round shirt-collar wouldn't choke you quite so much when your head was cocked back." Adonis-in-bag adjusted his polished all-rounder with a delicately gloved finger, and declared that the painter was "a jol-ly fel-low."

"I'd much d'ruth-er walk in the bloom-in' gy-ar-ding, An' hear the whis-sle of the jol-ly swain." Everybody knows the song, and everybody knows the cracked voice. The master of this bit of silent wilderness is coming home: it is Tom o' the blueb'ry plains. He is more than common tall, with a sandy beard, and a mop of tangled hair straggling beneath his torn straw hat.

O a morn in Spring is the sweeter thing That cometh in all the year; O a morn in Spring is the sweet-est thing That com-eth in all the year! REFRAIN. Piano. Ring! Ting! It is the mer-ry Spring-time. How full of heart a bod-y feels! Sing hey trol-ly lol-ly! O to live is to be jol-ly, When Spring-time cometh with the Summer at her heels! God save us all, my jol-ly gen-tle-men!

Whenever he approached it, after a long day's tramp, when he caught the first sight of the white birches that marked the gateway to his estate and showed him where to turn off the public road into his own private grounds, he smiled a broader smile than usual, and broke into his well-known song: "I'd much d'ruth-er walk in the bloom-in' gy-ar-ding, An' hear the whis-sle of the jol-ly swain."