United States or Seychelles ? Vote for the TOP Country of the Week !
Our Indian Jadoo-wallah usually gets himself into a very tight fitting third or fourth hand evening dress on these occasions, to show, I presume, how European he is. The audience is more concerned with the possibility of its bursting and their having to leave the theatre for decency's sake than they are of the feats he is attempting to imitate.
Having played his "bean" for some moments he takes up the box. There is a loud click, and snatching away the handkerchief the Jadoo-wallah shows the box filled with a variegated cloth ball. He opens the lid, takes the ball out, and after casually showing it to the audience thrusts it into his bag. The construction of the box is shewn in the diagram below.
Almost every European in India has seen this performed in India for it is the favourite of the Jadoo-wallah, and is the most effective of the small tricks that he can show. It takes up a considerable time and is simplicity itself. In case any of my readers have not seen the trick in India, or on their way out at Port Said, I will describe it.
When the Jadoo-wallah has sat himself down with his bag and baskets in their correct places he usually proceeds to show the following tricks: The cups and balls. The bamboo sticks. The ring on the stick. The ball in the glass box. The bunder-boat. The bowl of rice. The coloured sands. The rope trick. The egg bag. The swastika. The dancing duck. The mango tree. The basket trick.
The Indian juggler or Jadoo-wallah arrives with a basket large enough to contain a man, as we will see later, a huge dilapidated bag, a voluminous dhotie or loin cloth, and possibly a snake basket or two. He is a poor man or "gareeb admi" and looks it. He starts a whine in the hope of getting an audience through sympathy.
When treading on or slapping the bag, care should of course be taken to miss the egg. As his last trick was with water the Jadoo-wallah sensibly enough proceeds to show another with water, though an English conjuror would separate such tricks from an artistic point of view, thinking that a change of diet in magic is just as necessary as it is in a meal. The trick is that of the dancing duck.
The performer in this case has no duplicate, and the trick if well presented is almost as effective as the other, with the more elaborate ending. We have now gone through the average performance of the Indian Jadoo-wallah and have, I trust, some idea at any rate of how his tricks are done.
We sat down and called Aba Nalaode, our Mabratta orderly. While he came from his quarters, the Jadoo-wallah proceeded to divest himself of all his clothing, with the exception of his dhotie or loin cloth. On the arrival of our orderly, he too was made to take off his shirt, leaving him dressed in a similarly negligé manner to our entertainer.
The Jadoo-wallah realises that he has killed his assistant, and, if a good showman, bewails his lot suitably. He then decides to get rid of the body and, in some cases, to restore it to life again.
A little attention and trouble will make him "hot stuff" with the cups and balls and will lead him on to higher things. We have now the second trick that is usually shewn by the Jadoo-wallah, that of the bamboo sticks, essentially one of purely Indian origin. The performer takes two small bamboo sticks which have threaded through them a piece of string at each end of which is a bead.
Word Of The Day