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The congregation, as a whole, preserves almost intact its naive, old-time flavour. And there is movement too, beyond, in the compartment of the men, which is bounded at the farther end by the iconostasis a thousand-year-old wall decorated with inlaid cedarwood and ivory of precious antique workmanship, and adorned with strange old icons, blackened by time.
It was for her that the gold iconostasis shone brightly, and these candles in the church-lustre burned; for her were the joyful chants: "Be happy, man; it is the Lord's Easter." All the good in the world was for her. And it seemed to him that Katiousha understood that all this was for her.
There is a huge cross with wings at the base and paintings. Through the central arch the arca and a little cross are seen. The chapel of S. Spiridion also has its iconostasis. At Easter time two processional crosses of silver and a Resurrection banner decorate the church outside the iconostasis. The Cattarine silversmiths have also executed work away from their own shores.
The children, imitating their elders, prayed fervently when they were looked at. The gold iconostasis was aflame with innumerable candles, which surrounded a large one in the centre wound in a narrow strip of gilt paper. The church lustre was dotted with candles, joyful melodies of volunteer singers with roaring bass and piercing contralto mingled with the chant of the choir.
In the nave, supported by columns of marble, brought in days gone by from Pagan temples, there are, as in all these old Coptic churches, high transverse wooden partitions, elaborately wrought in the Arab fashion, which divide it into three sections: the first, into which one comes on entering the church, is allotted to the women, the second is for the baptistery, and the third, at the end adjoining the iconostasis, is reserved for the men.
The Greek church, S. Elia, which the Servian orthodox Christians have had since the French invasion, is nearly opposite the cathedral. One year we were at Zara at the time when they were preparing to keep Easter. In front of the iconostasis was an "Entombment," surrounded with young grass amid which little lamps shone. The whole was covered with a canopy similar to that carried over the Host.
The church appears to have been restored in the fourteenth century, since a consecration by Bishop Doimo II. is recorded in 1368; but it has been a Greek church since 1689, was enlarged in 1747, and the structure shows signs of considerable rebuilding. The iconostasis is of the seventeenth century; the paintings are covered with silver plates.
An infirm poor little old woman in a worn-out cloak with a hood was on her knees near Lavretsky, praying assiduously; her toothless, yellow, wrinkled face expressed intense emotion; her red eyes were gazing fixedly upwards at the holy figures on the iconostasis; her bony hand was constantly coming out from under her cloak, and slowly and earnestly making a great sign of the cross.
An infirm old woman, wrapped in a threadbare hooded cloak, knelt by Lavretsky's side and prayed fervently. Her toothless, yellow, wrinkled face expressed intense emotion. Her bloodshot eyes gazed upwards, without moving, on the holy figures displayed upon the iconostasis.
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