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It is true, as Müllenhoff, ten Brink, and Olrik have said, that the main object of the whole story of Bjarki and the dragon is to motivate Hott's newly acquired courage.
He has not only dispatched the king's most dangerous foe, he has added another brave man to the number of the king's retainers. This naturally attracts the king's particular attention, and he gives Bjarki special credit for the achievement. But when Bjarki is known to have killed the beast, what becomes of Hott's display of bravery, or even the appearance of bravery?
The troll-animal seems to be invulnerable until some one appears who has the requisite skill or strength, or a combination of both, to dispatch it; and it might be observed that Bjarki paid no more attention to Hott's statement about the invulnerability of the troll-dragon than Per's companion paid to Per's statement about the invulnerability of the troll-bird.
If he had, he would probably have done as Beowulf did under similar circumstances awaited its arrival. And the king's men did not expect the monster to attack the hall, for they seem to have gone to sleep; this is implied in the statement telling about Bjarki's and Hott's return to the hall, "Then they went in and were quiet; no one knew what they had done."
Hott was brave and strong, and Bjarki knew it; and even if Hott's strength and bravery should gain recognition through the employment of a ruse that involved no real test, no harm would be done. The author, however, planned that all should turn out otherwise. The reader will also remember the deception practiced by the shepherd boy in the story from Jón Arnason's collection.
He feels the force of the argument implied in Hott's request, and hands him his sword; but he says, "This sword can only be borne by a man who is both brave and daring." Hott answers, "You shall be convinced that I am such a man." He then goes up to the beast and knocks it over.
'Oh, said the princess, 'now you must go and take a pull of that flask that hangs by its side; that's what the troll does every time he goes out to use the sword. So Halvor took a pull, and in a twinkling of an eye he could brandish the sword like anything". It is apparent, therefore, that the saga-man intend Hott's ability to wield the king's sword to constitute the proof of his bravery.
Furthermore, Bjarki's interest in having Hott attack the beast and display his courage indicated that he knew that the beast was dead and that he had a special interest in having Hott recognized as a brave man. This, again, indicated that Bjarki had himself killed the beast and been the cause of the change in Hott's nature, for both of which he receives due credit.
And when the saga-man transformed the story into one of this type, he did it with the conscious purpose of providing a story that would enable him to let Bjarki take Hott out secretly at night, kill the dragon, compel Hott to eat of its heart and drink of its blood, put Hott's newly acquired strength to the test, prop the dead dragon up in a living posture, thus paving the way for further developments, and then return to the hall all unseen and without arousing a breath of suspicion.
It is not accidental that it is the king's sword that Hott uses and that it is the king himself who makes the remark about it which he does. The king, above all men, must be convinced of Hott's bravery, and in view of the manner in which Hott's bravery is displayed, the king must, indeed, be satisfied with the proof. Thus this purpose of the scene is also accomplished.
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