United States or Iceland ? Vote for the TOP Country of the Week !


He probably felt so at college; and this brings us back to an old subject. Hawthorne's superiority to Longfellow as an artist consisted essentially in this, that he was never an optimist.

Hawthorne's aspect," wrote Dr. Holmes, "that gave warning of so sudden an end as that which startled us all."

Salem had reached its highest prosperity in all lines and was just beginning its retrogression in Hawthorne's time; the primeval forests of Maine produced a subtle and lasting influence on him during his sojourn in Maine for his health; transcendentalism was the ruling thought at the time when Hawthorne was in his most plastic and solitary age; his interest in Brook Farm brought him in contact with all the good and bad points of that social movement; his life in the Old Manse in Concord and in the Berkshire Hills contributed largely to the deepening of his convictions and sympathies; and over all, like a sombre cloud, hung his ancestral Puritanic training which penetrated and suffused all his writings.

Hawthorne's life at the Old Manse was assuredly one of the brightest epochs of his career: an unalloyed happiness had come to him, he was full of the delight of first possession in his home, a new and ample companionship was his, and the quiet course of the days, with their openings into healthful outdoor exercise, made a perfect balance between creation and recreation.

Nevertheless, in a society as to which the more frequent complaint is that it is monotonous, that it lacks variety of incident and of type, the episode, our own business with which is simply that it was the cause of Hawthorne's writing an admirable tale, might be welcomed as a picturesque variation.

They originate in bad temper, in partisan malice, and those believe them who have no just criterion to distinguish truth from falsehood. After all, what other American has accomplished a literary work equal to Hawthorne's. He was an artist, purely an artist, and of the finest quality. The raw material may be in us, but to develop it requires pains and labor.

In the spring of 1845, Bridge and Frank Pierce appeared on the scene, and finding Hawthorne at his daily task of chopping wood in the shed, they had a meeting of the old college-boy sort that brightens the page with one of those human scenes that, occurring seldom in Hawthorne's life, have such realistic effect. "Mr. Bridge caught a glimpse of him, and began a sort of waltz towards him. Mr.

We have left the story of Hawthorne's life sadly behind. But his life had no more remarkable events than holding office in the Boston Customhouse under Mr.

This enterprising purveyor of literary wares appears, incongruously enough, to have been Hawthorne's earliest protector, if protection is the proper word for the treatment that the young author received from him. Mr. Goodrich induced him in 1836 to go to Boston to edit a periodical in which he was interested, The American Magazine of Useful and Entertaining Knowledge.

But the moral basis of Hawthorne's work, which had flowered in the crevices and crannies of New-England Puritanism, Poe did not concern himself with. In Poe's hands the story of "The Ambitious Guest" might have thrilled us with a more powerful horror, but it would have lacked the ethical beauty which Hawthorne gave it and which makes it significant beyond a mere feat of verbal legerdemain.