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Leipzig was then, under Mendelssohn's guidance, in the zenith of its fame, and for a boy of twelve to appear in a Gewandhaus concert and earn, not only the applause of the audience, but also the praise of the critics, was something very unusual.

At the very time that I, in Magdeburg, was attempting to make my reputation as a musical conductor by thoughtless submission to the frivolous taste of the day, Mendelssohn-Bartholdy was conducting the Gewandhaus concerts, and inaugurating a momentous epoch for himself and the musical taste of Leipzig.

In composition, her teachers were Steggall and George Macfarren. She won the silver medal of the Academy, and obtained the king's scholarship twice, in 1860 and 1862. In the next year she made her London début, and a year later appeared with the Gewandhaus orchestra at Leipsic.

Both the Philharmonic and the Gewandhaus represented musical vested interests; musicians like Reinecke in Leipzig, and non-musicians like Cusins in London, owed their handsome incomes to the positions into which good-luck had thrust them; and we could hardly expect them to show their publics what much abler men were about.

And both on that day and the next, when he admired a well-turned ankle or a pretty petticoat, he was reminded of the provoking little American, with the tossed head and baby mouth. A few days later, in the street that ran alongside the Gewandhaus, he saw her again.

A piano sonata, a polonaise for four hands and a fantaisie for piano belong to this year. After that he aspired to make piano arrangements of great works, such as Beethoven's "Ninth Symphony." Then came his own symphony, which was really performed at Gewandhaus, and is said to have shown great musical vigor. Instrumental music no longer satisfied this eager, aspiring boy; he must compose operas.

One noon in 189-, a young man stood in front of the new Gewandhaus in Leipzig, and watched the neat, grass-laid square, until then white and silent in the sunshine, grow dark with many figures.

Far away, at the other end of one of the quiet streets that lay wide and sunny about the Gewandhaus, when, to other eyes she was a mere speck in the distance, he learned to recognise her if only by the speed at which his heart beat and he even gave chase to imaginary resemblances.

Schoenefeld was born in Milwaukee, in 1857. His father was a musician, and his teacher for some years. At the age of seventeen Schoenefeld went to Leipzig, where he spent three years, studying under Reinecke, Coccius, Papperitz, and Grill. A large choral and orchestral work was awarded a prize over many competitors, and performed at the Gewandhaus concerts, the composer conducting.

The more rapidly she got rid of what remained to her, the better it would be for every one, and particularly for Maurice Guest. Had Maurice been in doubt as to Madeleine's meaning, it would have been removed within a few minutes of his leaving the house. As he turned a corner of the Gewandhaus, he came face to face with Krafft.