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Who does not see that such gesticulators are men only as to external figure, and not as to internal form? 3.

'And she as for her! Calliani kissed finger up to the furthest skies: into which a self-respecting sober Northener of the Isles could imagine himself to kick enthusiastic gesticulators, if it were polite to do so. The school-house faced the master's dwelling house, and these, with a block of building, formed a three-sided enclosure, like barracks!

'And she as for her! Calliani kissed finger up to the furthest skies: into which a self- respecting sober Northener of the Isles could imagine himself to kick enthusiastic gesticulators, if it were polite to do so. The school-house faced the master's dwelling house, and these, with a block of building, formed a three-sided enclosure, like barracks!

Among these highly colored cheeks, under which the wine seemed to circulate with the blood, these eyes shining with a dull, fictitious light, all this disorderly pantomime so contrary to the quiet habit of the gesticulators, two faces contrasted strangely with the careless mirth of the others.

The genealogy of the whole family is confirmed by the general term which includes them all: in English, Zany; in Italian, Zanni; in the Latin, Sannio; and a passage in "Cicero De Oratore," paints Harlequin and his brother gesticulators after the life; the perpetual trembling motion of their limbs, their ludicrous and flexible gestures, and all the mimicry of their faces: "Quid enim potest tam ridiculum quam Sannio esse?

Among these highly colored cheeks, under which the wine seemed to circulate with the blood, these eyes shining with a dull, fictitious light, all this disorderly pantomime so contrary to the quiet habit of the gesticulators, two faces contrasted strangely with the careless mirth of the others.

Among these highly colored cheeks, under which the wine seemed to circulate with the blood, these eyes shining with a dull, fictitious light, all this disorderly pantomime so contrary to the quiet habit of the gesticulators, two faces contrasted strangely with the careless mirth of the others.

Drunken women, ragged boys mounted on men’s shoulders, ruffians and bullies, savage-looking Getulians, half-human monsters from the Atlas, monkeys and curs jabbering and howling, mummers, bacchanals, satyrs, and gesticulators, formed the staple of the procession.