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from Mozart's 'Flauto Magico. "Presently he handed your little person over to me, and asked me to draw your horoscope, which I did. Afterwards I often came to your father's house, and you didn't disdain to suck at the little bags of almonds and raisins which I used to bring you. Then, when you were about six or eight, I went away on my peregrinations.
Besides, I am full of cares, being in reality father to my late brother's child; indeed I might have ushered into the world a second part of the "Flauto Magico," having also been brought into contact with a "Queen of the Night." I embrace you from my heart, and hope soon in so far to succeed that you may owe some thanks to my Muse. My dear, worthy Kauka, I ever am your truly attached friend,
At last, after telling some tenor that he had sung F natural instead of F sharp, and praised somebody's rendering of a song in "Il Flauto Magico," and told Ashmead to make no more engagements for her at present, for she was going to Vizard Court, the poor soul paused a minute, and uttered a deep moan. "Struck down by the very hand that was vowed to protect me!" said she. Then was silent again.
Badcock, who was to enact the part of Menelaus, had at my request attired himself early, for some few of my nightingales were young birds and not to be depended on, and I had an idea of concealing him in the shrubberies to supply a flauto obbligato while our guests arrived.
The day before his death he said to his wife, "Oh, that I could only once more hear my 'Flauto Magico!" humming, in scarcely audible voice, the lively bird-catcher song. The same day, at two o'clock in the afternoon, he called his friends together, and asked for the score of his nearly completed "Requiem" to be laid on his bed.
"But play me that lovely air which Titiens sings in Il Flauto Magico." Agnes was too ill to appear at the Duchess of Pevensey's dinner that evening. Lord Reckage's melancholy, absent air during the entertainment, and his early withdrawal from the distinguished party, were referred, with sympathy, to the very proper distress he felt at Miss Carillon's tiresome indisposition.
In the flute and the piccolo of the nineteenth century we have again risen a third, yes, an entire octave above the eighteenth century! Our great-grandfathers called the bass flute flauto d'amore, the alto oboe, oboe d'amore, a bass viol, viola d'amore, because their ear found preferably in the deep middle tones the character of the tender, the sweet, and the languishing.
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