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It is difficult to admit that it might be of Malay origin, as tile head-dress, or to describe it more perfectly, the AUREOLA surrounding the head, is met with in Buddhist paintings or sculptures only as surrounding the head of gods, who can always be recognised by their peculiar and constant characteristics, and nowhere are these AUREOLAS surrounded with the rays in the shape of "FLAMECHES," which confront us in the drawing of the principal figure.
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