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Lady Feverel, when she first entered on her duties at Raynham, was jealous of her husband's friend. By degrees she tolerated him. In time he touched his guitar in her chamber, and they played Rizzio and Mary together. "For I am not the first who found The name of Mary fatal!" says a subsequent sentimental alliterative love-poem of Diaper's. Such was the outline of the story.
Meredith's career and reputation, during the half century which passed between the appearance of Richard Feverel and his death, has a certain obvious resemblance to that of Browning's, but with some differences.
I learn, on very good authority, that Meredith has but a poor comparative opinion of his earlier work, and that he would dissent rather strongly from the critic who pronounced 'The Ordeal of Richard Feverel' his masterpiece. Yet it seems to me to be so, and in one particular it takes high rank indeed.
He made a delicate idyl of it: the sunshine and the sea gave it passion and magic, and the stars added poetry, and the old vicarage garden was a fit and exquisite setting. There was something Meredithian about it: it was not quite Lucy Feverel and not quite Clara Middleton; but it was inexpressibly charming. Philip's heart beat quickly.
That his affection for Dahlia was dead there could be no question, but that it was buried, either for himself or the public, was, most unfortunately, not the case. He was afraid of discovery for the first time in his life, and it was unpleasant. Dahlia herself would be quiet; at least, he was almost sure, although her outbreak the other evening had surprised him. But he was afraid of Mrs. Feverel.
The moment Ralph was hidden by an abutment of the banks, Richard perused the address. For the first time it struck him that his cousin Clare was a very charming creature: he remembered the look of her eyes, and especially the last reproachful glance she gave him at parting. What business had Ralph to write to her? Did she not belong to Richard Feverel?
Hard Times was a hasty piece of work, written between the winter of 1853, and the summer of 1854, and it cannot be considered one of Dickens's notable successes. George Meredith wrote four of his greatest novels in seven years, Richard Feverel, Evan Harrington, Sandra Belloni, and Rhoda Fleming being produced between 1859 and 1866. His poem, Modern Love, was also written during that period.
There are times when common men cannot bear the weight of just so much. Hippias Feverel, one of his brothers, thought him immensely improved by his misfortune, if the loss of such a person could be so designated; and seeing that Hippias received in consequence free quarters at Raynham, and possession of the wing of the Abbey she had inhabited, it is profitable to know his thoughts.
"You do?" he said, and filling a bumper he with cheerfully vinous articulation and glibness of tongue proposed the health of Richard and Lucy Feverel, of Raynham Abbey! and that mankind should not require an expeditious example of the way to accept the inspiring toast, he drained his bumper at a gulp. It finished him. The farthing rushlight of his reason leapt and expired.
It was accepted, and a reply returned, equally formal in the trumpeting of Christian names, wherein Ralph Barthrop Morton acknowledged the challenge of Richard Doria Feverel, and was his man. The match came off on a midsummer morning, under the direction of Captain Algernon.
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