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I said in my first Lecture, that even if royal influence be profitable for the prosecution of physical science, it cannot be profitable for art. It can only produce a literary age, as it did in the Ptolemaic era; a generation of innumerable court-poets, artificial epigrammatists, artificial idyllists, artificial dramatists and epicists; above all, a generation of critics.
Amid this eulogy Hwa-mei moved craftily and played an insidious part, until she who was their appointed head was committed to the claim. Then the maiden raised a contentious voice. "Our lord's trout were ever salmon," she declared, "and lo! here is another great and weighty fish! Assuredly no living man is thus and thus; or are the T'ang epicists returned to earth?
He does no more than all schools have done, copy their own masters; as the Greek epicists and Virgil copied Homer; as all succeeding Latin epicists copied Virgil; as Italians copied Ariosto and Tasso; as every one who can copies Shakespeare; as the French school copied, or thought they copied, "The Classics," and as a matter of duty used to justify any bold image in their notes, not by its originality, but by its being already in Claudian, or Lucan, or Virgil, or Ovid; as every poetaster, and a great many who were more than poetasters, twenty years ago, used to copy Scott and Byron, and as all poetasters now are copying the very same models as Mr.
The Roman epicists bestowed great elaboration on their similes, and as a rule imitated them from a certain limited number of Greek originals. In Virgil but a few are original, i.e., taken from things he had himself witnessed, or feelings he had known.
Nonnus, the last and not one of the least learned and graceful of the later Greek epicists, who probably lived not long after Claudian, was also of Egyptian birth and training, and he and Claudian are really the last representatives of that Alexandrian school which had from the first had so large and deep an influence over the literature of Rome.
And so it is that we make up for the lack of occasional splendour by consistent and equable excellence. All the other epicists will follow at a respectful distance. Macer and Lucretius are indeed worth reading, but are of no value for the phraseology, which is the main body of eloquence. Each is good in his own subject; but the former is humble, the latter difficult.
Later epicists in their desire to avoid this fault over elaborate their commonplace passages. Ennius tries, however clumsily, to copy Homer in dismissing them without ornament. The one or two similes that are preserved are among his least happy efforts. Among battle scenes he is more at home, and these he paints with reality and strength.
As the simile was so assiduously cultivated by the Latin epicists and forms a distinctive feature of their style, we shall give in the appendix to this chapter a comparative table of the more important similes of the three chief epic poets. At present we shall quote only two from the Thebaid, both admirable in their way, and each exemplifying one of Statius's prominent faults or virtues.
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