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It is not only the Asolo of this peaceful later time which has opened before him, but the Asolo of 'Pippa Passes' and 'Sordello'; that which first stamped itself on his imagination in the echoes of the Court life of Queen Catharine,* and of the barbaric wars of the Eccelini.
Verci, from whose "History of the Eccelini" we have drawn the account of Sordello's intrigue with Cunizza, says: "The writers represent this Sordello as the most polite, the most gentle, the most generous man of his time, of middle stature, of beautiful aspect and fine person, of lofty bearing, agile and dexterous, instructed in letters, and a good poet, as his Provençal poems manifest.
The lady, whose salvation is on these grounds inexpugnably accomplished, was married to Count Sanbonifazio of Padua, in her twenty-fourth year; and Sordello was early called to this nobleman's court, having already given proofs of his poetic genius. He fell in love with Cunizza, whom her lord, becoming the enemy of the Eccelini, began to ill-treat.
"Near my tower, which is built in the ancient wall of the mediaeval town, is the tower of Caterina Cornaro, and one sees from most of my windows, so high are they, the whole Marca Trevigiana, with its tragic and dramatic associations of the early Middle Ages; the Eccelini, the Azzi, the incessant wars in which towns were treated by the tyrants like shuttlecocks in the game of battledoor.
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