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At the upper end of the room, which, by the way, is now used only for prayers, concerts, etc., is the birching-table, black and worn with age and use. Dryden's name, carved on a bench, is shown, and a chair presented by King Charles to Dr. Busby. The walls date originally from the twelfth century or earlier, but were practically rebuilt in the end of the eighteenth century.

Among other volumes of verse on the top shelf of the bookcase, of which I used to look at the outside without penetrating deeply within, were Pope's translation of the Iliad and the Odyssey, and Dryden's Virgil, pretty little tomes in tree-calf, published by James Crissy in Philadelphia, and illustrated with small copper-plates, which somehow seemed to put the matter hopelessly beyond me.

"I read Milton's Absalom and Achitophel, Dryden's Holy Grail, and many other poems, but I'm not sure of their titles after all these years." Nalini suspected that his friend's English lore was somewhat rusty. In order to test him further, he asked, "Can you tell me who wrote 'Life is real, life is earnest, that line applies to you!" Pulin fidgeted about before answering.

An appointment as secretary to a special ambassador opened up to him a diplomatic career; but his sturdy commonsense showed him his unfitness for such labors. After his visit to Prussia he returned to Oxford, and there, in 1667, in the course of his medical work, he met Anthony Ashley, the later Lord Shaftesbury and the Ahitophel of Dryden's great satire.

In 1695, Dryden's play of Cleomens was acted. Archbishop Markham, head-master one hundred years ago, gave a set of scenes designed by Garrick. In our own day, Dr.

The controversial and satirical poems are on a higher plane; though, it must be confessed, Dryden's satire often strikes us as cutting and revengeful, rather than witty. The best known of these, and a masterpiece of its kind, is "Absalom and Achitophel," which is undoubtedly the most powerful political satire in our language.

I know not whether Tom Sheridan found Richard tractable in the art of speaking, and, upon such a subject, indolence or indifference would have been resented by the father as crimes quite inexpiable. One of Richard's sisters now and then visited Harrow, and well do I remember that, in the house where I lodged, she triumphantly repeated Dryden's Ode upon St.

Dryden did not invent the heroic couplet, but it was he who first made it famous. "It was he," says Scott, "who first showed that the English language was capable of uniting smoothness and strength." But when you come to read Dryden's poems you may perhaps feel that in gaining the smoothness of Art they have lost something of the beauty of Nature.

It may be expected, since I am upon this subject, that I should take notice of Mr. Dryden's definition of wit, which, with all the deference that is due to the judgment of so great a man, is not so properly a definition of wit as of good writing in general. Wit, as he defines it, is "a propriety of words and thoughts adapted to the subject."

Thus, of the four men who take part in the dialogue of the Essay, three are emphatically agreed in bowing down before the three unities as laws of nature. Corneille could not be suspected of any personal motive for undertaking the defence of dramatic license. See Dryden's Essay English Garner, iii 546.