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Then let everyone examine himself, and let us realize the prediction that from this event we begin a new time. The old, with its tinsel, its hypocrisy, its hollowness, its lying propriety, and its pitiful cowardice, shall lie behind us like a museum, open for instruction." With A DOLL'S HOUSE Ibsen has paved the way for woman's emancipation.
"We have a friend " he began and paused, and then rambled into a not very understandable story about a letter and a doll's house and some unknown man who had bought one of his pictures, or was supposed to have done so, in a curiously clandestine manner. I could not quite follow the story. "It is she who insists that it is always the same person," he said.
Let me only ask the reader to compare the scene between old Werle and Gregers in the first act of The Wild Duck with the scene between Nora and Mrs. Linden in the first act of A Doll's House, and mark the technical advance. Both scenes are, in a sense, scenes of exposition. Both are mainly designed to place us in possession of a sequence of bygone facts.
Then she began to squeeze the water out of her doll's dress. "I'm glad I didn't bring my best doll," said Sue. "This is only one of my old ones, and it won't hurt her to get wet. I was going to give her a bath, anyhow, but I didn't mean to leave her clothes on. Anyhow, she'll soon dry, I guess." Sue put the doll down beside her, on the seat, where the hot sun would dry up the water.
Look!" and Ralston pointed down to the roof-tops of the city, whereon the women and children worked and played. For the most part they were enclosed within brick walls, and the two men looked down into them as you might look in the rooms of a doll's house by taking off the lid. Ralston pointed to one such open chamber just beneath their eyes.
There were shelves containing the twins' schoolbooks and storybooks, a terrestrial and a celestial globe, purchased many years ago for the instruction of their great-aunts, and besides other paraphernalia of learning, signs of more congenial occupations, such as bird-cages and a small aquarium, boxes of games, a big doll's house still in tenantable repair though seldom occupied, implements and materials for wood-carving, and in a corner of the room a toy fort and a surprising variety of lead soldiers on foot or on horseback.
There were hundreds of very fat, furry spiders who crawled about solemnly and fell with heavy bodies down swift silken threads as Marcella opened the door of the bedroom. For the next few days they certainly did not earn their wages. They were like two children with a new doll's house, and at the end of the week the hut was unrecognizable.
"That Nodding Donkey took me quite a while to finish. I hope nothing happens to him until his coat of varnish is hard and dry. My, but he certainly shines!" And the Nodding Donkey did shine most wonderfully! Not far away, on the same shelf on which he stood, was a doll's bureau with a looking glass on top. In this looking glass the Nodding Donkey caught sight of himself. "Not so bad!" he thought.
Not only did he come to help in the theatricals, but insensibly, and as a matter of course, he took charge. Frona, as her friends charged, was suffering from a stroke of Ibsen, so they hit upon the "Doll's House," and she was cast for Nora.
These articles of attire and the others that you begin with had all been made by Grizel herself out of the colored tissue-paper that shopkeepers wrap round brandy bottles. The doll's name was Griselda, and it was exactly six months old, and Grizel had found it, two years ago, lying near the Coffin Brig, naked and almost dead.
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