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Lanzi says, "From his acting as a continual censor of his own productions, he became among his fellow pupils the most exact and expressive designer, his colors most true to nature, and of the best impasto, the most universal master in the theory of his art, the sole painter amongst them all in whom Mengs found nothing to desire except a little more elegance.
In our admiration of the creature, our thoughts are uplifted in reverence and worship to the Designer and Creator of such things, adapted, no doubt, by a wise selection from an infinite variety of living forms, for myriads of creative periods, and with a foreknowledge that such instruments would be requisite for the intelligent beings of a future time, to traverse those areas of the desert earth that it had pleased Him in wisdom to permit to remain secluded from the more lovely places of the world and the familiar haunts of civilised man.
Or, as in some cases the body may be made triangular in cross section so that as it is submerged its sustaining weight will increase at a greater degree as it is pressed down than its vertical measurement indicates. All this, however, is a matter left to the judgment of the designer, and is, in a great degree, dependent on the character of the craft to which it is to be applied.
"He didn't tell me exactly, Mawruss," Abe went on, "but I got a sort of an idee he's going back to Italy, Mawruss, and next time, Mawruss, when we hire a designer, understand me, I would do it myself.
So far as regards the superior aesthetic value of the decadent book, the chances are that the book-lover's contention has some ground. The book is designed with an eye single to its beauty, and the result is commonly some measure of success on the part of the designer.
Now, Félicien Rops, the Belgian etcher, lithographer, engraver, designer, and painter, occupies about the same relative position to Honoré Daumier as Whistler does to Rembrandt. How seldom you hear of Rops. Why?
With this are the browns and greens of the hills beyond the bay, and, nearer at hand, the vivid verdure of lawns and trees and shrubs. All these the designer used as though they were colors from his own palette.
For being absent with his family in Italy now, and not likely to see this biography for many many months, I may say that he is a much handsomer fellow than our designer has represented; and if that wayward artist should take this very scene for the purpose of illustration, he is requested to bear in mind that the hero of this story will wish to have justice done to his person. There exists in Mr.
Nevertheless, the French etcher would never have written his signs so freely had not the Japanese so freely drawn his own. Furthermore still, the transitory and destructible material of Japanese art has done as much as the multiplication of newspapers, and the discovery of processes, to reconcile the European designer the black and white artist to working for the day, the day of publication.
All machines have what is called a GLIDING ANGLE. When the designer plans his machine he considers the distribution of the weight or the engine, pilot and passengers, of the petrol, aeronautical instruments, and planes, so that the aeroplane is built in such a manner that when the engine stops, and the nose of the machine is turned downwards, the aeroplane of its own accord takes up its gliding angle and glides to earth.
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