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Somewhat rashly, he had mentioned this to his wife, and Lady Julia's critique of the scheme had been terse and unflattering. "I suppose," said Lady Julia sarcastically, "you will jump to the conclusion that this man whom Spennie is bringing down with him to-day is a criminal of some sort?" "Eh? Is Spennie bringing a friend?" There was not a great deal of enthusiasm in Sir Thomas's voice.

The 28th of June, 1828, when the struggles of the liberals and the ultras were so heated, Eugene Scribe, in connection with M. de Rougemont, wrote for the Gymnase a piece entitled Avant, Pendant, Apres, historical sketches in three parts. Avant was a critique of the view of the old regime; Pendant, a critique of those of the Revolution; Apres an appeal for harmony under the Charter and liberty.

Once made clear, this metaphysics and this critique may throw some light, in their turn, on evolution as a whole. Recently, analogous observations have been made on a man who died of inanition after a fast of thirty-five days.

I ran hastily over the warm-hearted and generous critique, so unlike the cold, timid, equivocal notices with which the professional critic has greeted, on their first appearance, so many works destined to immortality.

"Sir," said Father Ned, "you missed an amusing story, in consequence of your somnolency." "Though I missed the story," replied the stranger, "I was happy enough to hear your friend's critique upon the dog." Father Ned seemed embarrassed; the curate, on the contrary, exclaimed with triumph "but wasn't I right, sir?" "Perfectly," said the stranger; "the moral you applied was excellent."

The most famous review of In Memoriam is that which declared that "these touching lines evidently come from the full heart of the widow of a military man." This is only equalled, if equalled, by a recent critique which treated a fresh edition of Jane Eyre as a new novel, "not without power, in parts, and showing some knowledge of Yorkshire local colour."

Grant of Laggan, author of Letters from the Mountains, Superstitions of the Highlanders, etc. Died at Edin. in 1838, aged 83. Scott had not the smallest hesitation in applying this unsavoury proverb to himself a few months later, when he unwillingly "impeticosed the gratillity" for the critique on Galt's Omen. See this Journal, June 24, 1826.

They compare snobbishness to immodesty, and profess that the pleasure of acquaintance with the great should be so enjoyed that the great themselves are but half-conscious of the homage offered them: this is rather a subtle and finicky critique of what is in honest minds a natural restraint.

Seymour, played three overtures Weber's Ruler of the Spirits, Beethoven's Prometheus, and Rossini's Barbiere di Siviglia; and that Chopin performed an Andante and Scherzo, and a Nocturne, Etudes, and the Berceuse of his own composition. With regard to Chopin we read in this critique: With the more instrumental portion of the audience, Mons.

The Reformation, which broke the intellectual yoke, imposed by the Church, which checked all free progress; and the Critique of Pure Reason, which put a stop to the caprice of philosophic speculation by defining for the human mind the limitations of its capacity for knowledge, and at the same time pointed out in what way knowledge is really possible.