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It is at once discernible how much Crabbe had already gained by the necessity for concentration upon the development of a story instead of on the mere analysis of character. The style, moreover, has clarified and gained in dignity: there are few, if any, relapses into the homelier style on which the parodist could try his hand.

He profited notably by joining a little club of young men who met on certain evenings at an inn for discussion and mutual improvement. To this little society Crabbe was to owe one chief happiness of his life. One of its members, Mr. Mr.

His poem for this year, 1809, is printed at length in the Gentleman's Magazine for April and also Crabbe's, recited at the same dinner. Crabbe seems to have composed it for the occasion, but with the intention of ultimately weaving it into the poem on which he was then engaged. A paragraph prefixed to the lines also shows that Crabbe had a further object in view.

Barly with equal satisfaction. It seemed to her that she had done her duty as she saw it. But when Noel was killed in France a year later, she felt that Mrs. Wicket had killed him. "Now," she croaked to Mrs. Crabbe, "I hope she's satisfied." She seemed to be; she took the news of Noel's death with curious calm.

He asks from them a corresponding interest in human nature. He asks for a kindred habit of observation, and a kindred patience. The present generation of poetry-readers cares mainly for style. While this remains the habit of the town, Crabbe will have to wait for any popular revival. But he is not so dead as the world thinks. He has his constant readers still, but they talk little of their poet.

According to the son's account of the situation, when Crabbe left Burke's house after their first meeting, "he was, in the common phrase, 'a made man' from that hour." That short interview "entirely, and for ever, changed the nature of his worldly fortunes." This, in a sense, was undoubtedly true, though not perhaps as the writer meant.

On the arrival of the family at Parham, poor Crabbe discovered that even an accession of fortune had its attendant drawbacks. Mrs. Tovell and her sister-in-law, sitting by the fireside weeping, did not even rise up to welcome my parents, but uttered a few chilling words and wept again. All this appeared to me as inexplicable as forbidding.

So Mr Crabbe could only hope that next week would show a great difference, and advise him to go out with the rest this afternoon, to refresh himself for a new effort. Hugh did not know whether he had not rather have been desired to stay at home than go out among so many who considered him disgraced.

The following description, by Professor E. Forbes, applies to a large proportion of the species: 'They are active in their habits, graceful in their motions, gay in their colouring, delicate as the finest membrane, transparent as the purest crystal. The poet Crabbe has characterised them well in the following passage:

He could not discern that the treatment is everything, and that Chaucer was endowed with many qualities denied to himself the spirit of joyousness and the love of sunshine, and together with these, gifts of humour and pathos to which Crabbe could make no pretension. From Chaucer, Crabbe passes to the great but very different master, on whom he had first built his style.