United States or Monaco ? Vote for the TOP Country of the Week !


Sacrifices were regularly accompanied by the flageolet; processions by this and the trumpet; the rites of Bacchus by pipes, tambourines, and cymbals; performances in the theatre by an immense orchestra of various instruments; the more elaborate dinners by flute, harp, concerto of the two, singing, and such coarser and more exciting performances as were to the taste of the host or his company.

They had arranged a series of concerts for him in the United States. He could give his concerto there. It was impossible in Russia, Munich, even Berlin, because it was distinctly Jewish in theme as Jewish as the Kol Nidre, and as somber. They would have none of it in Europe. Prejudice was too strong. But in America! He was happier than he had been in years.

On Rode's departure, Spohr appeared in a concert arranged for him, in which he played a new concerto dedicated to his ducal patron, and created an enthusiasm hardly less than that made by Rode himself. He was warmly congratulated by the duke and the court, and appointed first court-violinist, with a salary more than sufficient for the musician's moderate wants.

When he was called to Boston, at the instance of Mr. Gericke, who was then the conductor of the Symphony Orchestra, he was only twenty years of age. He played, on his first appearance as soloist, the Beethoven concerto, and was at once recognised as a violinist of remarkable ability. Mr.

We have relations there and I have friends there musicians. The chef d'orchestre at the Opera House he was one of my teachers in Paris. Before next year, I was to have written a concerto on some of our Polish songs there are scores of them that Liszt and Chopin never discovered. Not only love-songs, mind you! songs of revolution battle-songs."

"I have often played his Fifth Concerto, so warm, brilliant and replete with temperament, always full-sounding, rich in an almost unbounded strength. Of course, since Vieuxtemps wrote his concertos, a great variety of fine modern works has appeared, the appreciation of chamber-music has grown and developed, and with it that of the sonata.

This does not mean I have learned all the masters can teach, but only that I have come to a place where I felt I had to go alone, that I must work out what is in me. No master can teach us that; we have to find ourselves alone. "I shall probably play considerably with orchestra next season. There is a Concerto by Rimsky-Korsakow which is quite short, only one movement.

In the summer of that year MacDowell and his wife went abroad. He had been invited to take part in an "American Concert" at the Paris Exposition, and on July 12, under Mr. Van der Stucken's direction, he played his second concerto. After a short stay on the continent, he returned with his wife to America.

The next year he accepted a similar position in the New England Conservatory at Boston, returning to Europe for another tour in 1893. After many successful tours he accepted the position of director of the Meisterschule at the Imperial Conservatory in Vienna. His compositions include over one hundred published opus numbers, the most pretentious probably being his Choral Concerto.

Her orchestral ability showed itself also in the form of a concerto for piano, while among her other works are a number of songs and a good deal of instrumental music. Eva Dell' Aqua is another Italian woman who has won a high position by her works. She did not inherit the taste directly, for her father was not a musician, but a painter.