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But I wonder Lamprias did not mind what the Delphians say in this matter; for they affirm that the Muses amongst them were not named so either from the strings or sounds in music; but the universe being divided into three parts, the first portion was of the fixed stars, the second of the planets, the third of those things that are under the concave of the moon; and all these are ordered according to harmonical proportions, and of each portion a Muse takes care; Hypate of the first, Nete of the last, and Mese in the middle, combining as much as possible, and turning about mortal things with the gods and earthly with heavenly.

The extremity being lightly rubbed on the concave surface, became just perceptibly curved in 7 m., distinctly in 10 m., and hooked in 20 m. We have seen that the tendrils in the last three families, namely, the Vitaceae, Sapindaceae and Passifloraceae, are modified flower- peduncles. In two or three species of Modecca, one of the Papayaceae, the tendrils, as I hear from Prof.

Other forms of bone awls are shown in e, f, g, and j. There are a number of bone objects the use of which is problematical. One of the best of these is a section of the tibia of a bird, cut longitudinally, convex on the side represented in plate CXIV, h, and concave on the opposite side.

Flint glass effects a greater dispersion than crown glass nearly in the ratio of three to two. The chromatic combination consists of a convex lens of crown backed by a concave, or plano-concave, lens of flint. When these two lenses are made of focal lengths which are directly proportional to their dispersions, they give a practically colorless image at their common focus.

At the same time there is little doubt that the construction of a reflector of moderate size is easier than that of a corresponding refractor. The essential part of the reflector is a slightly concave mirror of any metal which will bear a high polish. This mirror may be ground and polished in the same way as a lens, only the tool must be convex.

As he lolled on the sand, the glistening thing over at the western point again caught his eye. After a moment's scrutiny he rose and limped toward it, following the concave of the beach, and often pausing to rest and bathe his head. It was a long journey for him, and the tide, at half-ebb when he started, was rising again when he came abreast of the object and sat down to look at it.

He was incontestibly the most wonderful in his finishing of all the Flemish masters, although the number of artists of that school who have excelled in this particular style are quite large. The pictures he first painted were portraits, and he wrought by the aid of a concave mirror, and sometimes by looking at the object through a frame of many squares of small silk thread.

With a grimace of reluctant acquiescence, Raikes, closely regarded by the detective, proceeded to the button in the concave, which he moved with slow manipulation for the edification of the alert watcher, who witnessed, without comment, the displacement of the register and the subsequent revelation of the inner compartment. "Remove the bags."

And as the convex fits not into the convex, but into the concave; so do men fit into their opposites; and so fitted Borabolla's arched paunch into Jarl's, hollowed out to receive it. But how now? Borabolla was jolly and loud: Jarl demure and silent; Borabolla a king: Jarl only a Viking; how came they together? Very plain, to repeat: because they were heterogeneous; and hence the affinity.

Its excellence depends precisely upon its independence of the ideal work of Antiquity; nay, even upon the fact that, while the ancients, striking their coins in chased metal dies, obtained an astonishing minuteness and clearness of every separate little stroke and dint, and were therefore forced into an almost more than sculptural perfection of mere line, of mere profile and throat and elaborately composed hair, a sort of sublime abstraction of the possible beauty of a human face, as in the coins of Syracuse and also of Alexander; the men of the fifteenth century employed the process of casting the bronze in a concave mould obtained by the melting away of a medallion in wax; in wax, which taking the living impress of the artist's finger, and recalling in its firm and yet soft texture the real substance of the human face, insensibly led the medallist to seek, not sharp and abstract lines, but simple, strongly moulded bosses; not ideal beauty, but the real appearance of life.