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On August 15 he set off. He must have carried away pleasant recollections. He had come to England with Salomon the first time, at the end of 1790, to have a fling, and by the time the second trip was over he must have felt that he had had one. It was assuredly a fling such as few composers have had after a long, industrious and honourable life's work. Not that his career was by any means finished.

Gall has been taken off agreeably to his wishes, and dissected and dried for the benefit of science. All the principal Italian composers were in flower about the age of twenty-five. There is scarcely an instance of a musician producing his chef-d'oeuvre after the age of thirty. Rossini was not twenty when he composed his Tancredi, and his Italiana in Algieri.

If Schubert has unequaled melody and dramatic force, Schumann drastic and pointed intensity, Robert Franz deserves the palm for the finish and symmetry of his work. Of the great song composers, Franz Schubert is the unquestioned master. To him the modern artistic song owes its birth, and, as in the myth of Pallas, we find birth and maturity simultaneous.

This haughty reply was the beginning of an estrangement. Another illustration of Cherubini's sturdy pride and dignity was his rejoinder to Napoleon, when the latter was praising the works of the Italian composers, and covertly sneering at his own.

His fifteen Hungarian rhapsodies constitute, however, only a small part of the invaluable legacy he has left the world. He was the most many-sided of all musicians, the greatest of all pianists, and one of the best composers of oratorios, songs, orchestral, and pianoforte works, everything, in short, except operas and chamber music.

Among the jokes of their own invention, with which the Roman editors deemed it proper to season the elegant Attic dialogue, several are almost incredibly unmeaning and barbarous. Metrical Treatment So far as concerns metrical treatment on the other hand, the flexible and sounding verse on the whole does all honour to the composers.

In normal times the composers of speeches from the throne are accustomed to describe the relations between their own and foreign countries as "friendly." When the relations are not friendly, yet not the opposite, they are usually registered on the political barometer as "correct."

The best known French composers and virtuosi have taken part as executants, among others: César Franck, Saint-Saëns, Massenet, Bizet, Vincent d'Indy, Fauré, Chabrier, Guiraud, Debussy, Lekeu, Lamoureux, Chevillard, Taffanel, Widor, Messager, Diémer, Sarasate, Risler, Cortot, Ysaye, etc.

Calhoun deliberately went for weeks between uses of his recordings, so that music was an event to be looked forward to and cherished. When he tapered off the stirring symphonies of Kun Gee with tranquilizing, soothing melodies from the Rim School of composers, Maril regarded him with a very peculiar gaze indeed. "I think I understand now," she said slowly, "why you don't act like other people.

Although it was an urgent matter that young French composers should unite to withstand the general indifference of the public, it was more urgent still that that indifference should be attacked, and that music should be brought within reach of ordinary people. It was a matter of taking up and completing Pasdeloup's work in a more artistic and more modern spirit.