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There is a nave, roofed with wooden cross-beams, lighted by a clere-story and supported on each side by seven great pointed arches, which rest upon octagonal pillars. The octagon seems to be a favorite shape in Florence. These pillars were clad in yellow and scarlet damask, in honor of the Feast of St. John.
There is a nave, roofed with wooden cross-beams, lighted by a clere-story and supported on each side by seven great pointed arches, which rest upon octagonal pillars. The octagon seems to be a favorite shape in Florence. These pillars were clad in yellow and scarlet damask, in honor of the Feast of St. John.
Every sort of ornament that could be thought of seems to have been crammed into the cathedral in one place or another: gilding, frescos, pictures; a roof of blue, spangled with golden stars; a magnificent wheel-window of old painted glass over the entrance, and another at the opposite end of the cathedral; statues, some of marble, others of gilded bronze; pulpits of carved marble; a gilded organ; a cornice of marble busts of the popes, extending round the entire church; a pavement, covered all over with a strange kind of mosaic work in various marbles, wrought into marble pictures of sacred subjects; immense clustered pillars supporting the round arches that divide the nave from the side aisles; a clere-story of windows within pointed arches; it seemed as if the spectator were reading an antique volume written in black-letter of a small character, but conveying a high and solemn meaning.
Every sort of ornament that could be thought of seems to have been crammed into the cathedral in one place or another: gilding, frescos, pictures; a roof of blue, spangled with golden stars; a magnificent wheel-window of old painted glass over the entrance, and another at the opposite end of the cathedral; statues, some of marble, others of gilded bronze; pulpits of carved marble; a gilded organ; a cornice of marble busts of the popes, extending round the entire church; a pavement, covered all over with a strange kind of mosaic work in various marbles, wrought into marble pictures of sacred subjects; immense clustered pillars supporting the round arches that divide the nave from the side aisles; a clere-story of windows within pointed arches; it seemed as if the spectator were reading an antique volume written in black-letter of a small character, but conveying a high and solemn meaning.
The aisles, on each side of the nave, are lighted with high and somewhat narrow windows of painted glass, the effect of which, however, is much diminished by the flood of common daylight that comes in through the windows of the clere-story. It is like admitting too much of the light of reason and worldly intelligence into the mind, instead of illuminating it wholly through a religious medium.
It was built on the same general plan as most of them, with a ground floor having heavily barred windows; a state apartment in the first story, with three stone balconies on the front; a very low second story above that, but not coextensive with it, because two of the great state rooms were higher than the rest and had clere-story windows; and last of all, a third story consisting of much higher rooms than the second, and having a spacious attic under the sloping roof, which was, of course, covered with red tiles in the old fashion.
I remembered that line of Matthew Arnold's, and the stanza about the Duchess Margaret coming to watch the builders on her palfry white. Then there came to me something in regard to the moon shining on winter nights through the cold clere-story.
The place was brightly lighted by several scores of lamps fed with mingled oil, tallow, and camphor, and fastened on large wooden rings that hung from the high ceiling. The smoke floated up to the blackened beams, and found its way out through a small clere-story window at one end, and the light below was clear and soft.
The aisles, on each side of the nave, are lighted with high and somewhat narrow windows of painted glass, the effect of which, however, is much diminished by the flood of common daylight that comes in through the windows of the clere-story. It is like admitting too much of the light of reason and worldly intelligence into the mind, instead of illuminating it wholly through a religious medium.
First, there are these round arches, supported by gigantic columns; then, immediately above, another row of round arches, behind which is the usual gallery that runs, as it were, in the thickness of the wall, around the nave of the cathedral; then, above all, another row of round arches, enclosing the windows of the clere-story.
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